Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Music Review: Quique Escamilla - Encomienda

Quique Escamilla’s music is a tantalizing blend of sweet and sour, light and dark. The talented Canadian troubador’s entrancing second album opens with the Manu Chao-like reggae vibe of the title track, a tart tale of historical corruption and exploitation in his Mexican homeland, and ends with the gorgeous “Tú Sólo Tú” (“You Only You”), a pedal-steel-drenched traditional ranchera about obsessive love, a song Tejano pop star Selena covered before her tragic death. As with his debut album, the Juno-winning 500 Years of Night, Escamilla doesn’t shy away from other hard-hitting subjects, including “Highway of Tears,” about British Columbia’s remote highway where so many Indigenous women and gir...
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Feature Article: QuiQue Escamilla's Mexican fusion

It’s a chilly March night in Toronto during a brutal winter seemingly without end. But inside the Lula Lounge, the city’s home of Latin, jazz and world music, it’s a tropical heat wave as Mexican roots star QuiQue Escamilla is performing his fiery blend of ranchera, mariachi, huapango, blues rock and reggae. Launching his excellent debut album, 500 Years of Night, Escamilla is joined by an equally diverse set of musical friends. Bluesman Paul Reddick plays harp on “Canción Mixteca,” giving the Mexican folksong a powerful, haunting feel not heard in Ry Cooder’s version on Paris, Texas. Belle Starr’s Stephanie Cadman provides stirring Celtic fiddle and step dancing on “Huapango del Tequila.” A...
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The Beautiful Sadness of Lhasa

She ran away to join the circus. Although she’d been signed to prestigious Atlantic Records and was being touted as an Edith Piaf for the new millennium, Lhasa de Sela turned her back on the music business. Ultimately, the runaway success of her first album, La Llorona, a stunning collection of stylized Mexican ballads and European gypsy tunes all sung in Spanish, proved to be too much for her. “I needed to get away from it for a while,” explains de Sela. “I’d been touring constantly for two years and getting offers to do these amazing gigs all over the world.  But I got badly burnt out and started experiencing these intense feelings of anxiety. I just finally had to say no to everythin...
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