Gordon Lightfoot Book, Music and More!

Some of my favourite albums in 2020, with the notable exception of Bob Dylan’s formidable Rough and Rowdy Ways, were by Canadian artists. This is not to say that these recordings were necessarily the best of the year, because my ears were not attuned to as much new music as usual—so who am I to judge? In fact, much of my lockdown listening during this strangest of years tended toward old familiar standbys: aural comfort food for covid times. But these were the albums from the past year that I found most inspiring. U.S. Girls Heavy Light Meg Remy is an American-born artist who records under the name U.S. Girls. She moved to Toronto in 2010 after marrying the Canadian musician Maximi...

Ron’s “forever endeavour” is crafting the perfect album of melancholic pop. A consummate songsmith, he’s accomplished that lofty goal with this collection of bittersweet gems. Set to woodwinds, strings and congas, songs like the reflective “Nowhere to Go” and the raucous “Snake Road” beautifully encapsulate sadness—without ever succumbing to despair.

They are the sensitive boys of Canadian pop. Both are acclaimed singer-songwriters, and both are unabashedly emotional. One is gay, with an impeccable musical pedigree, while the other, a father of two, has some of rock's biggest stars singing his praises. And -- surprise, surprise -- both are closest to their mothers. They may not seem like groundbreakers, but Rufus Wainwright and Ron Sexsmith are creating a seismic shift in pop music, bringing tender songs from a male point of view back into the mainstream. Until recently, solo artists were almost all women. While record labels scrambled to find the next Fiona Apple or Joan Osborne, male singer-songwriters couldn't get a break. The reverse...

Toronto’s Music Gallery is housed in St. George the Martyr Church, on the edge of a park and a stone’s throw from Queen Street West. The tiny building, with its stained-glass windows and excellent acoustics, served as a fitting launch pad last March for Feist’s latest album, The Reminder. There, on an unseasonably mild evening, 200 invited guests sat on pews and waited for the Canadian artist’s arrival. As the lights dimmed, the anticipation was palpable. “Thanks for helping us kick off the training wheels,” said Feist, before she and her band performed 11 compositions from the album. The hour-long set served immediate notice that an important new songwriter had arrived. Of course, Feist was...