Gordon Lightfoot Book, Music and More!

A two-hour documentary that aired on television in 2009 and was released on DVD  that same year. Looks at the digital age of Canadian music in the 1980s, a visual era of big hair and shoulder pads, when music videos helped homegrown artists to take off internationally.The documentary is split into nine segments: - Video Rock - Reggae / New Wave - Quebec Pop - Art, Pop & Politics - Alt-Country - Heartland Rock - Roots / Hip Hop - Blues Rock - Divas & Icons Songs featured in concert footage and videos (in alphabetical order): "A Criminal Mind" – Gowan "Ain't No Room For Cheatin' – Handsome Ned "Black Velvet"&nbs...

A two-hour documentary that aired on television in 2009 and was released on DVD  that same year. This Beat Goes On tells the story of Canadian music in the 1970s, a ground-breaking era of great sounds, from glam and progressive rock to punk and reggae.  Mixing archival footage with candid interviews, the documentary features proven hitmakers as well as a wealth of new folksingers, blues artists and mullet-rockers. Solo artists and progressive rockers still rule, but it’s also a time of shaved heads and skinny ties, as punk and new wave artists push their way into the spotlight. By the end of the decade, the Can-rock revolution has arrived. This Beat Goes On presents ...

 A two-hour documentary that initially aired on Canadian TV in January, 2006 and was released on DVD on December 11, 2007. The documentary captures the sounds of the 1960s in Canada, from the folk music of Ian and Sylvia, and the rhythm 'n blues of Ronnie Hawkins, to the many other legendary stars like Joni Mitchell, The Guess Who, Neil Young, Anne Murray, The Band, cult heroes like David Wiffen, The Collectors and Mashmakhan, and some of Canada's brightest younger stars including Blue Rodeo, Barenaked Ladies and Sarah Harmer. Full of candid interviews with more than 60 iconic figures.         Here is a list of all the songs featured, taken from concert footage and T...

The Troubadour is one of the most storied venues in popular music. Beginning in 1961, owner Doug Weston ran the club, located in West Hollywood on Santa Monica Boulevard, as a showcase for folk and country artists. Later, it featured rock musicians as well. The Troubadour is where Elton John made his triumphant U.S. debut, where the Byrds, who met at a Monday open mic, first performed their classic take on Dylan’s “Tambourine Man,” where Buffalo Springfield made their live debut, where the Eagles’ Don Henley and Glenn Frey met in the front bar and where Led Zeppelin famously played with Fairport Convention in a three-hour jam session. But more than anything, the Troubadour became synonymous ...

Starting in the mid-1960s, Luke & the Apostles—a quintet fronted by the Mick Jagger-like Luke Gibson—were packing Yorkville’s Purple Onion night after night. Although guys were drawn to the Apostlesʼ raw covers of songs like “Crossroads,” “Good Morning Little Schoolgirl” and “You Canʼt Judge a Book,” girls were drooling over the sight of Gibson. Off-stage, Gibson was shy and quiet, but on-stage, he was transformed into a writhing, shaking, screaming package of pure sexual energy. With his curly hair and boyish good looks, Gibson was the bandʼs biggest asset. But the Apostles—guitarist Mike McKenna, keyboardist Peter Jermyn, bassist Jim Jones and drummer Rich McMurray—sounded good enough ...