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The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Liner Notes: Kensington Market - Avenue Road

Liner Notes: Kensington Market - Avenue Road
The Summer of Love gave the world the Monterey Pop Festival and The Beatles’ Sgt. Pepper . Ultimately, those precious months in 1967 produced something far greater: the full flowering of the hippie movement and a sense of cultural, social and political barricades coming down. Change was in the air. The seeds were sown at the Human Be-In in San Francisco’s Golden Gate Park and quickly spread to most major cities in the western world. In Toronto, the May Love-In at Queen’s Park attracted a crowd of barefooted flower children who danced to Buffy Sainte-Marie and Leonard Cohen under a thick cloud of marijuana smoke. That same month, three musicians from Yorkville, Toronto’s hippie village, gathe...
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Liner Notes: Kensington Market - Aardvark

Liner Notes: Kensington Market - Aardvark
By the end of the 1960s, the psychedelic-rock revolution was peaking. Dream-laced lyrics and trippy effects, including distortion, tape-loops, echoes, delays and phase shifting, were rampant. Adventurous musicians were busy employing a new array of instruments to conjure up kaleidoscopic sounds. The Beatles, leaders in the new music, had already introduced the sitar on Sgt. Pepper’s and the Mellotron on “Strawberry Fields Forever.” The year 1969 saw numerous bands tripping out with delightfully freaky albums, including Skip Spence’s Oar, Jefferson Airplane’s Volunteers and The Moody Blues’ On the Threshold of a Dream. During the winter of ’68, the members of Toronto’s Kensington Market were ...
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