Gordon Lightfoot Book, Music and More!

Is this Portland trio really the new Coldplay? Listening to Kevin Calaba’s dreamy voice and the group’s soaring songs, it’s easy to think so. The band’s “Movies of Antarctica” is a giddy slice of guitars and electronic programming that aims for arena-rock greatness. And Calaba’s and guitarist Jason Bell’s harmonies on “Arithmatik” are undeniably cool. But as emotionally rich as “With You” is, it never climaxes as powerfully as Coldplay’s “Fix You.” Ultimately, the new kids on the alt-pop block can’t quite win the foot race. Apr. 24

Gilberto’s father, Joao, is the godfather of Brazilian bossa nova, while her stepmother, Astrud, is the voice behind “The Girl from Ipanema.” Bebel stepped out of her family’s shadow with Tanto Tempo and its companion remix album, both tinged with electronica. Her self-titled sophomore album stuck closer to chill-out samba sounds. Here, working with producer Guy Sigsworth (Madonna, Björk) she goes for mid-tempo grooves like “Bring Back the Love,” a sensuous dance number featuring New York’s Brazilian Girls. Apr. 24

It must please Mitchell no end that nearly half of the songs by admirers here come from her often overlooked post-folk period. Björk, Elvis Costello and jazz pianist Brad Mehldau all tackle material from The Hissing of Summer Lawns, while Caetano Veloso brings his Brazilian vibe to “Dreamland” from Don Juan’s Reckless Daughter. Mind you, there are several songs drawn from Mitchell’s quintessential album Blue, including Prince’s stunning, falsetto-drenched version of “A Case of You,” which steals the show. Apr. 24

Having Ry Cooder produce this album by the gospel great is an inspired choice. Cooder brings a rootsy edge to civil rights anthems like “We Shall Not Be Moved,” featuring South African choir Ladysmith Black Mambazo. Staples, still vibrant and ever soulful, covers Cooder’s tender “I’ll Be Rested” and delivers a stunning rendition of “Jesus is on the Mainline,” a song Cooder once recorded. And she adlibs her way through bluesman J.B. Lenoir’s “Down in Mississippi” (also featuring Ladysmith) to brilliant effect. Apr. 24

Has it really been nearly 20 years since the Junkies released The Trinity Session? A commemorative DVD is in the works for release later this year. In the meantime, the Junkies have released one of their most potent albums to date. From the sublime ballad “Spiral Down,” featuring a fiddle floating over Margo Timmins’ chilling vocal, to the ravaged “Cutting Board Blues” and the almost trip-hoppy “It Doesn’t Really Matter Anyway,” it also stands as one of the band’s most varied releases. Happy anniversary. Apr. 24   

Like their siren sister Neko Case, The Sadies are masters at mining roots music and making it their own. But where Case turns everything she touches to gothic gold, The Sadies take a more cosmic approach, adding surf, rockabilly and psych flavors to their spaghetti western stew. The band’s fifth studio album mixes all of those elements on a dozen cinematic songs like “Anna Leigh” and “What’s Left Behind.” Dallas and Travis Good pick and harmonize their way through the material like only badass brothers can. Sept. 18

After his excellent solo album, La De Da, Halifax hero Plaskett is back with his Emergency band. The group’s latest, produced by Gordie Johnson (Big Sugar, Grady), is a mostly raw rock-and-roll record. The blistering “Drunk Teenagers” details getting plastered, suburban-style, while “Fashionable People” mixes riff rock and synth-pop elements to hilarious effect. But then Plaskett pulls out “Chinatown/For the Record,” a gorgeous ballad with acoustic guitar and orchestral strings. A prolific renaissance man. Apr. 17   

Of all the Appalachia acts, Winnipeg’s Nathan is something quite unique. The group, fronted by Keri Latimer, mixes bluegrass, waltzes and mariachi horns with dark tales from the domestic frontlines. A bit like O Brother Where Art Thou? meets Diary of a Mad Housewife. “Let Them Look” tells of housecoats and flying kitchen dishes, while “You Win,” a bouncy swing number, tallies up “10 points for cursing like a raving madman, 25 to successfully make me cry.” Not quite home sweet home on the range. Apr. 10

What is it with dance-punk bands and exclamation points? There’s Detroit’s Thunderbirds Are Now!, Vancouver’s Fake Shark-Real Zombie! and, best of all, Brooklyn’s !!! These dance-crazed punks from Abbotsford, B.C. have more going for them than just perky punctuation. The band, fronted by singer Becky Ninkovic, mixes catchy B-52s-style beats with Clash-influenced politics on tracks like “Downtown Mayors Goodnight, Alley Kids Rule!” Oops, there’s another pesky exclamation point. Apr. 10

Those familiar with Nick Cave will recognize the guttersnipe sermons and nasty noisefests as reminiscent of the Birthday Party. Here, working with a few Bad Seeds, Australia’s punk poet delivers a raw slice of garage rock, full of reverb, feedback and bizarre lyrical extemporizing. “Get it On” features Cave threatening to evict the white mice, black dogs and baboons from the basement, while “No Pussy Blues” is a hilarious rant about a middle-aged guy who’s horny and hard up. Like Leonard Cohen on acid. Apr. 10