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Book Description from Amazon This is an entertaining, authoritative, and highly anecdotal look at the golden era of Canadian pop music-the historically important decade that gave birth to such internationally respected recording artists as Neil Young, Joni Mitchell, Ian & Sylvia Tyson, Gordon Lightfoot, Murray McLauchlan, Bruce Cockburn, Buffy Saint Marie, Blood, Sweat & Tears, and Ronnie Hawkins. In the bohemian sixties, Toronto's Yorkville neighbourhood was a hippie haven-our version of Haight-Ashbury or Greenwich Village, a place where coffeehouses like the Riverboat and the Purple Onion offered a creative mecca for musicians from across Canada. They came from Saskatoon and Winnip...

Canada’s David Clayton-Thomas was blessed with a big, booming baritone, one of the most recognizable voices in pop music, a gift that took him from the clubs and coffeehouses of Toronto’s Yonge Street and Yorkville all the way to Woodstock, Hollywood and beyond. As the frontman of jazz-rock pioneers Blood, Sweat & Tears, which topped the charts in 1969 with horn-driven hits like “And When I Die,” “You’ve Made Me So Very Happy” and his own “Spinning Wheel,” the singer lived a charmed life, winning awards, adulation and a king’s ransom of earnings that allowed him to indulge his taste for luxury cars and sprawling, palatial homes in coveted locations like the Catskill Mountains. But C...

The story of folk icon Neil Young and funk master Rick James were once being in a Yorkville band together has become the stuff of rock 'n' roll legend. They were unknowns at the time and the Mynah Birds just happened to be where their paths converged, along with those of Goldy McJohn and Nick St. Nicholas, future members of Steppenwolf, and Bruce Palmer, who ultimately wound up with his buddy Neil in Buffalo Springfield. The following story, largely excerpted from Nicholas Jennings’ Before the Gold Rush: Flashbacks to the Dawn of the Canadian Sound, published by Penguin Books in 1997, is one of the earliest accounts of the now storied Mynah Birds band. It draws on an extensive interview...

Neil Young returned to the city of his birth in 1965, determined to break into Toronto’s flourishing music scene. He’d arrived with his Winnipeg group, the Squires, but their new folk-rock sound fell on deaf ears. Even changing their name to Four to Go failed to make a difference. So Young parted ways with his bandmates and launched himself as a solo folksinger. Before leaving Winnipeg, Young had become enamored of Bob Dylan’s music and taught himself to play “Four Strong Winds,” Ian Tyson’s Canada-referencing response to “Blowin’ in the Wind.” He’d also encountered Joni Mitchell, who was performing at the Fourth Dimension coffeehouse with her husband. After the show, Young went up to Joni, ...

When Ian Tyson arrived in Toronto in September 1958, the folk music scene didn’t exist. The coffeehouses hadn’t yet appeared in Yorkville. The city’s bohemian district consisted of a few ramshackle cafés and galleries along a tiny stretch of Gerrard Street, near Bay, that attracted colorful personalities and painters like Harold Town. All of that was about to change with the Folk Boom ignited by the Kingston Trio and its massive hit “Tom Dooley.” Tyson had hitchhiked his way East from the West Coast, where he’d graduated from the Vancouver School of Art. He was 25 years old. His life experience at that point largely amounted to riding bareback in rodeos and playing a little guitar in rockabi...