Music journalism, books and more

Most people know Ian and Sylvia by their signature songs—his “Four Strong Winds” and her “You Were On My Mind”—and think of them as the iconic Canadian folk duo of the early 1960s. But few beyond fans or aficionados are familiar with their fine subsequent solo work, or Sylvia’s with the wondrous Quartette. And fewer still are aware that the talented pair once pioneered the country-rock genre with their excellent band Great Speckled Bird. A superb new collection of live recordings should change all that. Produced by Danny Greenspoon, The Lost Tapes (Stony Plain Records) features 26 tracks recorded between 1971 and 1974, a time when Ian was hosting a popular weekly country music TV show (on wh...

More than any other singer-songwriter, Gordon Lightfoot personified Canada. His robust songs about winter nights, morning rain, being bound for Alberta and sailing on Ontario’s Georgian Bay came closest to expressing for many Canadians the essence of life in the Great White North. Historical epics stood alongside romantic ballads. Author Pierre Berton once said that Lightfoot’s “Canadian Railroad Trilogy” conveyed as much about the building of the national railway as his own best-selling book on the subject. When Lightfoot died Monday evening at the age of 84, leaving a vast legacy of more than 500 songs, Canada lost a masterful composer, a distinctive vocalist and one of its ...

When Ian Tyson arrived in Toronto in September 1958, the folk music scene didn’t exist. The coffeehouses hadn’t yet appeared in Yorkville. The city’s bohemian district consisted of a few ramshackle cafés and galleries along a tiny stretch of Gerrard Street, near Bay, that attracted colorful personalities and painters like Harold Town. All of that was about to change with the Folk Boom ignited by the Kingston Trio and its massive hit “Tom Dooley.” Tyson had hitchhiked his way East from the West Coast, where he’d graduated from the Vancouver School of Art. He was 25 years old. His life experience at that point largely amounted to riding bareback in rodeos and playing a little guitar in rockabi...

In February 1968, Ian and Sylvia made a pilgrimage to Music City, home of the Grand Ol’ Opry, to record their Nashville album with session cats like Fred Carter, Jerry Reed and Harold Bradley. The Byrds hadn’t yet arrived to make their Sweetheart of the Rodeo album and it would be a full year before Bob Dylan showed up to record Nashville Skyline. After years of being overlooked, Ian and Sylvia’s Nashville is now finally recognized as the first pop-country crossover album. Both it and the subsequent Full Circle paved the way for the duo’s landmark country-rock album, Great Speckled Bird, recorded in Nashville with Todd Rundgren as producer. “...

The auditorium was a sea of cowboy hats in a variety of styles—High Sierra, Ridgetop and Cattleman. The ranchers, cowhands and wives were assembled last month in a convention centre in northern Nevada for a tribute to the 19th-century American western artist Charles Russell. But the first performer to step onstage was not an American--it was Canada’s Ian Tyson. With his white cowboy hat tipped at a rakish angle and a white kerchief tied flamboyantly around his neck, Tyson fit right in. Carrying an acoustic guitar and accompanied by his band, the Chinook Arch Riders, the Albertan told the audience, It’s great to be back in Elko--feels just like home.” And he meant it. It was the fourth year t...