The publication of Mike Daley’s book Yorkville: How a 1960s Coffee House Scene Rewrote Popular Music is a welcome deep dive into what was arguably Toronto’s most influential cultural district. It comes nearly 30 years after Penguin published my book on Yorkville, Before the Gold Rush: Flashbacks to the Dawn of the Canadian Sound. Back then, I couldn’t believe there hadn’t already numerous books published on Yorkville, the way there had been on Greenwich Village, Haight-Ashbury and other scenes. After all, Yorkville had easily produced as many artists, both bands and singer-songwriters, that had made an impact at home and abroad. Given it was the mid-1990s—the Palaeolithic period,...
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South African jazz piano legend Abdullah Ibrahim, who passed away in June, left behind some extraordinary music on a vast array of over 70 recordings, including solo sessions, trio performances and large ensemble collaborations. Known as Dollar Brand before he converted to Islam and changed his named, Ibrahim was a gifted musician who possessed both deep spiritually and impeccable rhythm. A documentary about him was aptly named A Brother With Perfect Timing. A number of Ibrahim’s songs, including his transcendent epic piece “Mannenburg,” which became globally identified with the struggle against apartheid, have long been personal favourites. Smitten with his sound, I have collected many...
Canada’s David Clayton-Thomas was blessed with a big, booming baritone, one of the most recognizable voices in pop music, a gift that took him from the clubs and coffeehouses of Toronto’s Yonge Street and Yorkville all the way to Woodstock, Hollywood and beyond. As the frontman of jazz-rock pioneers Blood, Sweat & Tears, which topped the charts in 1969 with horn-driven hits like “And When I Die,” “You’ve Made Me So Very Happy” and his own “Spinning Wheel,” the singer lived a charmed life, winning awards, adulation and a king’s ransom of earnings that allowed him to indulge his taste for luxury cars and sprawling, palatial homes in coveted locations like the Catskill Mountains. But C...
Toronto’s Kensington Market in the 1960s was already the city’s most culturally diverse neighbourhood, a place writer Adele Wiseman described as brimming with “the sounds of Yiddish, Portuguese, Italian and the smell of fresh bread, brine and live chickens.” Within a few years, the Market’s sounds and smells grew infinitely richer and more tropical with the arrival of Caribbean entrepreneurs such as Stranger Cole. Cole, a renowned singer from Jamaica, accepted a friend’s offer to share space in his carpet store at 58 Kensington Avenue and began to sell recordings of jazz, gospel, disco and, predominantly, reggae music. Opening in 1978, Cole’s newly christened Roots Records became one of the ...
A musical legend right here in our midst. When Music Africa recently discovered that Ali Birraa was living in Toronto, they did what any organization dedicated to promoting African music would do: they promptly gave the singer an Award of Merit. A pioneer of Ethiopian music’s golden age in the ’70s, when funky orchestras with big brass and soulful singers ruled the Horn of Africa, Birraa has lived a charmed life. Recruited by Emperor Haile Selassie’s Imperial Bodyguard Band at the age of 18, he sang for kings, presidents and visiting dignitaries at the palace in Addis Ababa. His first hit, 1967’s “Jiruu Tiyya Cufaa (I Never Held Back My Love),” launched a solo career that saw his seven...