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In the mid-1960s, Toronto was teeming with pop groups and teenagers inspired by the Beatles and the Rolling Stones. One of the city’s most popular bands, however, took its cues not from the British Invasion but from the rhythm-and-blues sound of American artists such as Otis Redding and Wilson Pickett. That band was the Mandala. With a dazzling stage show featuring choreography, strobe lights and sonic effects, the Mandala became a sudden sensation. Dressed like costumed gangsters in striped suits, black shirts and white ties, the five members took their self-styled “soul crusade” across Canada, down to New York and out to Los Angeles, earning rave reviews for fever-pitched concerts that cri...

For much of 1965, guitarist Domenic Troiano, singer George Olliver, bassist Don Elliot and drummer Whitey Glan were the house band at Toronto’s after-hours rhythm & blues club the Bluenote, downtown near the corner of Yonge and Gerrard streets. At the time, they were known as Whitey & the Roulettes. But with the addition of keyboardist Joey Chirowski, the group adopted a harder-edged sound and started calling themselves the Five Rogues. Donning pinstripe, gangster-style suits bought from tailor-to-the-stars Lou Myles, they began living up to their name as ruthless purveyors of blue-eyed soul. By the following year Toronto’s Yorkville district, like New York’s Greenwich Village and Sa...