Jumbie in the Jukebox is full of Kobo Town frontman Drew Gonsalves’ usual lyrical invention and his band’s musical audacity and infectious grooves. Ghosts jump out of the tracks, from the clanging bells of “Mr. Monday,” about a fallen man who loses his fortune to mental illness, to the groaning trombones of “Joe the Paranoiac,” about a conspiracy theorist who believes his neighbors are terrorist members of sleeper cells. “The War Between Is and Ought” uses scratchy vocals and a traditional santimanitaymelody to tell the tale of two feuding kings, while “The Trial of Henry Marshall,” written in the style of an early kalenda with a call-and-response chant, is about an innoc...
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The digital home of music journalist Nicholas Jennings, author of Lightfoot, the bestselling biography of Gordon Lightfoot. Includes a searchable database of current and archived work, including thousands of record reviews and feature articles.
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On a wintery night at Toronto’s plush Koerner Hall, inside the city’s stately Royal Conservatory of Music, two generations of calypso stars are busy heating up the audience. Onstage in the foreground is the reigning queen, Trinidad & Tobago’s Calypso Rose. Just behind her is the crown prince, Drew Gonsalves, whose Canadian band Kobo Town has opened the show and is now backing the headliner. As the cheeky Rose sings and shimmies through her set to the crowd’s delight, the bearded, bespectacled, guitar-strumming Gonsalves is visibly beaming: he co-wrote and arranged many of the songs Rose is performing, all taken from her award-winning comeback album, Far From Home. And now he and the sept...
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