Zal Yanovsky may be the unlikeliest candidate for success ever to emerge from Toronto’s music scene. Before he joined Denny Doherty in the Halifax Three and headed south to serious Sixties fame in the Lovin’ Spoonful, Yanovsky was broke and scuffling around Yorkville and the Annex, learning to play guitar and stealing milk off front porches so he could collect the deposit from the bottles. Unable to afford rent anywhere, Yanovsky took to sleeping in a laundry dryer at 163 Dupont, right next door to the Gate of Cleve, where he perhaps dreamed he might one day perform. In a poster designed by future realist painter Ken Danby, the Gate of Cleve coffeehouse advertised “folksongs and folk m...
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