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Canadian musicians have always flocked to New York, drawn like moths to the bright lights of the city that never sleeps. Dreams of a breakthrough in New York have inspired artists ever since Toronto vocal groups the Crew-Cuts, the Four Lads and the Diamonds all had success there, followed by Ottawa teenager Paul Anka, who ventured to the Big Apple in 1957 and scored a number one hit with "Diana," his lovestruck ode to a former babysitter. The steady stream continued during the folk boom. In November, 1965, Ian & Sylvia performed at New York's prestigious Philharmonic Hall while Gordon Lightfoot played a few days later just down Broadway Avenue at the Town Hall. Both folk acts became regu...

In early 1965, Toronto's Levon & the Hawks were having a hard time with the law. Levon Helm, Robbie Robertson, Garth Hudson, Rick Danko and Richard Manuel, along with their road manager Bill Avis, were charged with possession of marijuana, after being arrested at Toronto's airport by RCMP officers. With bail set at $10,000 apiece and a court case likely to drag on for months, the pot bust threatened to detrail the momentum of the group that would soon become world famous as the Band. The charges were all a set up. A jealous boyfriend of a girl Danko was seeing told the cops that the group was smuggling in a trunkful of pot into Canada. In fact, Danko had an ounce of Panama Red in his jac...

Yesterday, a 22-storey high mural depicting the music history of Toronto’s Yonge Street was announced at a media event on the site of the mural. Two of the legends featured in the wall painting, Ronnie Hawkins and Gordon Lightfoot, were in attendance. Commissioned by the Downtown Yonge Business Improvement Association, the work by artist Adrian Hayles also includes images of Oscar Peterson, Glenn Gould, Jackie Shane, Shirley Matthews, Dianne Brooks and bluesmen B.B. King and Muddy Waters. The mural covers the side of a building on Yonge just south of College. I was a consultant on the project, which will be completed in December 2016, and spoke at the event: As a music journalist and histori...

He said it, he did it. Sam “the Record Man” Sniderman loved catch phrases and used them frequently to promote himself and the family business that bore his name. But, unlike the claims of many entrepreneurial blowhards, Sam’s slogans were no empty boasts. He actually did create the “best chain of record stores in Canada, with great music at great prices,” like he boldly predicted he would, and built a reputation as the greatest promoter of domestic talent that Canadian music ever had. Long before CanCon regulations, which he helped to usher in, Sniderman made a habit of giving prominent display space in his stores to domestic artists. Gordon Lightfoot remembers how Sniderman faithfully stock...

                        Sign this petition and help save a vital part of Toronto's cultural heritage.  Click here to sign: City of Toronto: Have Ryerson University remount the neon "Sam the Record Man" sign.