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Gordon Lightfoot got his start on Yonge Street, not in Yorkville. Although the bard of Canadian song is often associated with Yorkville’s Riverboat coffeehouse, where he first became a star while performing weeklong stints in the mid-1960s, his first real home as a solo artist was Steele’s Tavern, at 349 Yonge. A two-storey operation run by Greek restaurateur Steele Basil, Steele’s was sandwiched between Yonge Street’s famously competitive record stores: Sam’s and A&A’s. There, in the upstairs Venetian Lounge, Lightfoot performed his songs for anyone who would listen, often competing with the clink of beer glasses and televised hockey games for people’s attention. Lightfoot had traveled ...

Synopsis

The 1980s was the visual era, a time of aerobics, big hair and even bigger shoulder pads. The decade sees the rise of music videos and the arrival of the digital age, which brings everything from Pac-Man games to compact discs. It’s also the time when Canadian music explodes internationally. Mixing concert clips and interview footage, Rise Up digs up a treasure trove of gold and platinum hits, from Men Without Hats’ “The Safety Dance” to Bryan Adams’ “Summer of 69,” to showcase Canadian music’s phenomenal global rise.

The Troubadour is one of the most storied venues in popular music. Beginning in 1961, owner Doug Weston ran the club, located in West Hollywood on Santa Monica Boulevard, as a showcase for folk and country artists. Later, it featured rock musicians as well. The Troubadour is where Elton John made his triumphant U.S. debut, where the Byrds, who met at a Monday open mic, first performed their classic take on Dylan’s “Tambourine Man,” where Buffalo Springfield made their live debut, where the Eagles’ Don Henley and Glenn Frey met in the front bar and where Led Zeppelin famously played with Fairport Convention in a three-hour jam session. But more than anything, the Troubadour became synonymous ...

Starting in the mid-1960s, Luke & the Apostles—a quintet fronted by the Mick Jagger-like Luke Gibson—were packing Yorkville’s Purple Onion night after night. Although guys were drawn to the Apostlesʼ raw covers of songs like “Crossroads,” “Good Morning Little Schoolgirl” and “You Canʼt Judge a Book,” girls were drooling over the sight of Gibson. Off-stage, Gibson was shy and quiet, but on-stage, he was transformed into a writhing, shaking, screaming package of pure sexual energy. With his curly hair and boyish good looks, Gibson was the bandʼs biggest asset. But the Apostles—guitarist Mike McKenna, keyboardist Peter Jermyn, bassist Jim Jones and drummer Rich McMurray—sounded good enough ...

Details: Author: Nicholas Jennings; Hardciover/Paperback: 327 pages; Publisher: Penguin Random House; 2017/2018; Language: English; ISBN: 978-0-14-319920-5 Book Description from Amazon The definitive, full-access story of the life and songs of Canada's legendary troubadour Gordon Lightfoot’s name is synonymous with timeless songs about trains and shipwrecks, rivers and highways, lovers and loneliness. His music defined the folk-pop sound of the 1960s and ‘70s, topped charts and sold millions. He is unquestionably Canada’s greatest songwriter, and an international star who has performed on the world’s biggest stages.While Lightfoot’s songs are well known, the man behind them is elusive. He’s ...