Music journalism, books and more

England was basking in an unseasonably warm and bright afternoon one play last week. Paul McCartney, however, was spending it enveloped by darkness and fog, as he had done for most of the preceding month. Yet the famous ex-Beatle’s mood could hardly have been sunnier. On Soundstage 6 at the Goldcrest Elstree Studio complex north of London, shrouded by dry ice, McCartney enthusiastically kicked into a performance of “Sgt. Pepper’s Lonely Hearts Club Band.” He was rehearsing for his most significant career move since the breakup of The Beatles in 1970. Buoyed by the critical success of his latest album, Flowers in the Dirt, and excited about the sound of his new band, McCartney is embarki...

Paul McCartney performed outside on a rooftop of sorts to the delight of fans below.  It wasn’t the Apple Corps building on London’s Saville Row, made famous by the Beatles fabled appearance there in 1969, but New York’s Ed Sullivan Theater, at 53rd Street and Broadway, where McCartney was appearing on the Dave Letterman show.  It was July 15, 2009 and Sir Paul McCartney was marking the 45th anniversary of the Beatles' triumphant appearance on Ed Sullivan. For the occasion, he and his band played “Get Back” and “Sing the Changes,” taped for the Late Show broadcast, but then thundered through a mini-set that included through “Coming Up,” “Band On the Run,” “Let Me Roll It,” “Helter ...

Even from an artist renowned for outrageous behavior, the action was a shocking sight. In August, 1984, Richard Penniman—better known as Little Richard, the flamboyant 1950s rocker—began picketing an office building in downtown Los Angeles. The rock star was not on strike; he was on a crusade. The offices belonged to ATV Music Corp., one of the world’s largest song publishers. Little Richard’s claim: that ATV, along with Specialty Records and Venice Music, owed him millions of dollars in royalties for “Tutti-Frutti,” “Good Golly Miss Molly” and other classic Little Richard hits. Four months later his $115-million lawsuit against those companies was thrown out of U.S. Federal Court. Now, Litt...

At 76, Sir Paul could be forgiven if he slowed down and kicked back in his slippers with a nice cuppa. But that’s not Macca’s way. In fact he’s as busy as ever, going viral with James Corden’s Carpool Karaoke and launching another world tour Sept. 17 in Quebec City. On his 17th solo studio album, McCartney sounds still in his prime—feisty, frisky and having fun. The flirtatious “Come On to Me” is a delirious rocker, while “Fuh You,” produced by hitmaker Ryan Tedder, is sexy and infectious. The rest of the album, produced by Greg Kurstin (Beck, Adele), ranges from the Latin jazz of “Back in Brazil” and the bouncy “Happy With You” (about his wife Nancy Shevell) to the cautionary political...

It’s not easy being the son of the deified Beatle—just ask Julian who, despite (or because of) his eerie resemblance to his father, rode a ticket to obscurity. Sean, who actually sounds more like Paul, has fared better, largely due to his alt-rock connections. His long-awaited followup to 1998’s Into the Sun is a promising collection of piano and falsetto-filled songs about failed romance. But the most moving number is the stark hidden track that recalls the day John was murdered, leaving five-year-old Sean tragically fatherless. Sept. 26