British actor Tom Hiddleston shines as Hank Williams in the new biopic. Coached by country star Rodney Crowell, Tom sings convincing renditions of Hank’s classics, including “Jambalaya,” “Move It On Over” and “Hey Good Lookin’.” The soundtrack also features songs by such period stars as Eddy Arnold, Eartha Kitt and Jo Stafford.
Clayton Linthicum and his second cousin Kacy Anderson hail from southern Saskatchewan, but Clayton’s guitar and Kacy’s voice are rooted in the British folk styles of Davey Graham and Sandy Denny. With songs like the beguiling title track and the dreamy “If You Ask How I’m Keeping,” it’s an intoxicating, otherworldly brew.
It’s easy to see Beyoncé’s new album as an angry response to a broken marriage. Some songs seem to confirm rumors of alleged infidelities and an impending split with rapper husband Jay-Z. “We built sand castles that washed away,” Beyoncé sings wistfully, before venting “What a wicked way to treat the girl that loves you.” Anger is most visceral on “Don’t Hurt Yourself,” a raw number featuring Jack White’s bluesy guitar. But the album also explores themes of hope, forgiveness and redemption and includes “Freedom,” her Black Lives Matter anthem with Kendrick Lamar. “It’s time to listen, it’s time to fight,” Beyoncé sings on “Forward,” a duet with James Blake. By the time she confesses, “How I ...
Grandiosity comes naturally to Rufus. The acclaimed singer-songwriter has an unabashed love of dramatic music. In 2007, he recreated Judy Garland’s legendary 1961 Carnegie Hall concert. His most recent album is a recording of his own opera Prima Donna. Now Rufus has embraced his love of Shakespeare, something he’s explored a little before. Actors Carrie Fisher, William Shatner and Helena Bonham Carter recite sonnets, while members of the BBC Symphony Orchestra back Rufus and his assortment of guest vocalists. Rufus and Austrian coloratura soprano Anna Prohaska offer male and female takes on “A Woman’s Face,” and his sister Martha Wainwright joins him on “Unperfect Actor.” Rufus even dips int...
PURPLE RAIN Directed by Albert Magnoli. Purple Rain resembles its provocative singing star, Prince: it delights in breaking rules and raising eyebrows. While such anarchic behavior is the root of rock music, it is rare in rock films. They usually offer a safe and predictable storyline that is little more than background to the soundtrack. But Purple Rain cleverly integrates its sultry electronic funk music with a story of unexpected depth and emotion. It receives great support from Prince himself, the 24-year-old pop sensation from Minneapolis who, in his first, largely autobiographical film, vividly translates his charismatic stage personality to the screen. Princ...
Prince is one of pop's true originals. His credo of eroticism and his nervy, androgynous pose have made the 24-year-old Minneapolis native a constroversial figure. Radio stations often ban his sexually explicit songs from airplay, but his music is an ingenious blend of keyboard funk and guitar rock. Purple Rain is a kaleidoscope of pulsating sounds and velvety textures. It opens with the cheerful chaos of "Let's Go Crazy," in which Prince preaches hedonism in the face of impending apocalypse. "Darling Nikki," about a steamy encounter with a nymphomanic, features a wailing guitar, and "The Beautiful Ones" is a breezy, romantic song sung in a sensual falsetto. Prince excels on "When ...
“Travel is fatal to prejudice, bigotry, and narrow-mindedness,” Mark Twain wrote. It also has the power to awaken the senses. In 1962, I was an innocent abroad, a white boy plucked from homogenous suburban Toronto and deposited in the tropical, northern Malayan town of Ipoh. My father, born there during colonial times, had decided to move us to his hometown while he embarked on a writing project and explored his ancestral roots. I can still vividly remember all the exotic smells, sights and sounds of the place. A walk through Ipoh’s streets, past food stalls selling aromatic curries and spiky rambutans, dodging trishaw peddlers and pedestrians in sarongs and ch...
Yoko Ono has long been misunderstood. Blamed for the Beatles’ breakup and criticized for her influence over husband John Lennon, she has never been accepted outside of avant-garde circles. That may be changing. Last year, New York’s Museum of Modern Art mounted an extensive exhibition of her paintings, drawings, sculptures, films and music. Now everyone from Sonic Youth to Lady Gaga is calling the controversial 83-year-old an influence. A new album of collaborations sees contemporary musicians reinterpreting her music. Alt-rockers Death Cab for Cutie provide new synth backing to Yoko’s “Forgive Me My Love,” while Sweden’s pop-rock trio Peter, Bjorn & John offer dramatic accompaniment to ...
The flame-haired star, part of rock’s sisterhood with Linda Ronstadt and Maria Muldaur, is a formidable slide guitarist. As a young performer on the Boston coffeehouse circuit in the late 1960s and early ’70s, Raitt met blues greats like Sippie Wallace, Son House and Muddy Waters and immersed herself in the tradition. Soon, she was winning acclaim for her own bottleneck style. Born and raised a Quaker, she has always mixed activism with her music, campaigning against nuclear energy with No Nukes concerts and co-founding the Rhythm and Blues Foundation, which works to improve royalties, financial conditions, and recognition for R&B pioneers. Her recorded history is exceptional, ...
Behind a dilapidated storefront in central Havana, an ancient ritual is under way. An old black man, sitting in a crumbling shell of a room, instructs four initiates in the art of traditional Yoruba drumming. Beneath the glare of a dangling light bulb, Elpidio Acea barely seems up to the task. Wiry and wizened, he looks like he’d have trouble keeping a heartbeat, let alone a tricky West African rhythm. But striking two cigar-shaped sticks together, he taps out the offbeat pattern that signs the drums to begin. His students, all young women, respond with a sudden flurry of beats. Today’s lesson is the guaguancó, one of the most complex of all Afro-Cuban rhythms. And two of the students can’t ...
