He’s still only 19 but, with his third album, the Toronto-born pop star now sounds fully grown up. Gone are the innocent songs in favour of mature numbers with an edgier sound. Mendes had some help to pull off the transition. His friend Ed Sheeran co-wrote one of the album’s strongest songs, “Fallin’ All in You,” sung by Mendes in his mellifluous falsetto, while his mentor John Mayer produced “Like to Be You,” and provided a bluesy guitar solo to the catchy song, a duet with Julia Michaels, of "Issues" fame. Michaelsa also sings with Mendes on “Nervous,” a Bruno Mars-style funk number she also co-wrote. Other contributions include OneRepublic frontman Ryan Tedder’s co-write on the electro-ti...
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She’s made two conceptual albums featuring her alter-ego, the time-traveling android Cindi Mayweather, and starred in two films: the Oscar-winning Moonlight and Hidden Figures. And yet a major commercial breakthrough has so far eluded her. But this could be Monáe’s moment. Working with Prince before he died in 2016, Monáe went on to create a strikingly personal album. The sensual “Make Me Feel” is a direct homage to Prince’s “Kiss,” while “Americans” resembles the free spirit of his “Let’s Go Crazy” and the finger-popping “Pynk” channels the Purple One’s sexually liberated anthems. Monáe, who has been romantically linked to actress Tessa Thompson, uses her new album to explore themes of femi...
It may seem bizarre but Hatfield, best known for her 1993 alt-rock nugget “My Sister,” delivers a sincere, kick-ass tribute to her childhood hero. She scuffs up Newton-John’s “Hopelessly Devoted to You,” gives a punk edge to her “Totally Hot” and embraces the pure pop of “Physical” and “Have You Ever Been Mellow” in a most brilliant way.
It’s an unlikely pairing—one is a member of English rock royalty, the other a Jamaican superstar—but it works. “We both have ridiculous names,” jokes Sting, born Gordon Sumner, while Shaggy, born Orville Burrell, cites the two musicians’ shared love of reggae music as the bond. The pair’s island-inspired album, named after the British and Jamaican dialling codes, is a sunny delight. It opens with the title track, a dancehall number featuring Shaggy, best known for hits like “Oh Carolina” and “Boombastic,” toasting about rice and peas and Sting singing about Bob Marley. There are moments of genuine fun, on the infectious “Don’t Make Me Wait,” and of pure drama, on the courtroom-themed “Crooke...
On a wintery night at Toronto’s plush Koerner Hall, inside the city’s stately Royal Conservatory of Music, two generations of calypso stars are busy heating up the audience. Onstage in the foreground is the reigning queen, Trinidad & Tobago’s Calypso Rose. Just behind her is the crown prince, Drew Gonsalves, whose Canadian band Kobo Town has opened the show and is now backing the headliner. As the cheeky Rose sings and shimmies through her set to the crowd’s delight, the bearded, bespectacled, guitar-strumming Gonsalves is visibly beaming: he co-wrote and arranged many of the songs Rose is performing, all taken from her award-winning comeback album, Far From Home. And now he and the sept...
The “Seven Nation Army” rock hero’s latest is an odd delight, full of hip-hop beats, gypsy fiddle, funky organ, a Dvořák melody and a hilarious spoken word piece, “Abulia and Akrasia,” by Aussie blues revivalist C.W. Stoneking. The most Jack White track is the blistering rock of “Over and Over and Over,” originally written for the White Stripes.
Neil wears many hats–including that of filmmaker. His latest project, a western, sees the 72-year-old Canadian rocker join forces with his romantic partner Daryl Hannah (Splash, Kill Bill), who wrote and directed the movie. Available on Netflix and centred around a group of outlaws hiding out in the mountains, Paradox stars Neil, fellow music legend Willie Nelson, and Willie’s sons, Lukas and Micah, who are members of Neil’s backing band Promise of the Real. The movie’s soundtrack features Neil’s solo score together with solo and band performances. There are campfire-style renditions of blues songs like Jimmy Reed’s “Baby What You Want Me to Do” and Lead Belly’s “How Long...
He’s the man who first brought the Beatles’ music to Canada—almost a full year before America embraced Beatlemania. He then opened the doors for other British Invasion acts and went on to sign the first wave of Canadian pop artists during the 1960s, including Anne Murray and Edward Bear, in his capacity as Capitol Records’ artists & repertoire executive in Canada. When Paul White died on March 13, after a cardiac arrest, the music industry mourned the loss of a jovial gentleman and creative trailblazer. Along with issuing Beatles’ singles, beginning with “Love Me Do” on February 18, 1963 and hitting number one with “She Loves You” by the end of the year, White designed and compiled sever...
On his 15th album, Moby returns to that organic-electronic mix of his 1999 breakthrough Play, employing frequent collaborator Mindy Jones to add to the dreamy feel of “The Tired and the Hurt” and Raquel Rodriguez to provide breathy accompaniment to “Sometimes I Feel Like a Motherless Child,” both anthems to the age of uncertainty.
The former Talking Head is a restless soul, undertaking books, films, operas, photographs and drawings to express his quirky views. His latest album, a collaboration with longtime cohort Brian Eno, offers a surprising antidote to the world’s depressing news: optimism—conveyed on joyously melodic tracks like “Here” and “Every Day is a Miracle.”