Gordon Lightfoot Book, Music and More!

Gord Downie inhabits an enviable place in Canadian culture. At concerts, thousands of fans chant his lyrics as if they were mantras. They hang on his every move with the rapt attention of a church congregation. Yet the Tragically Hip’s charismatic front man has never seemed altogether comfortable in the role of shaman. His first allegiance has always been to the band and the friends with whom he formed the group more than 15 years ago in Kingston, Ont. Now, with Coke Machine Glow, 38-year-old Downie is stepping out on his own with a poetry book and his first solo album. Released jointly by Universal Music Canada and Vintage Canada (they will be sold as a single package for the first two week...

Jazz musicians have often turned to Cuba, one of the world’s hotbeds of rhythm, for inspiration--most notably Dizzy Gillespie. Canada’s Jane Bunnett fell in love with the island’s music more than 10 years ago, when the flutist and soprano saxophonist visited there with trumpeter Larry Cramer. A rising international jazz star, Bunnett and husband Cramer recently returned from Cuba with a valuable souvenir: Spirits of Havana, a prized collaboration with several top Cuban musicians. Some of the recording, featuring veteran singer Merceditas Valdés and percussionists Grupo Yoruba Andabo, is simply well-produced, traditional Afro-Cuban music. But such numbers as “Yo Siempre Oddara (Forever Strong...

A return to her jazzier side, Taming the Tiger finds Joni Mitchell, now 54, happy but hardly complacent. Featuring saxophonist Wayne Shorter (Weather Report) and drummer Brian Blade (Joshua Redman), the album includes sensuous, romantic numbers like “Love Puts On a New Face,” with its swirling keyboards and Mitchell’s pastel-shaded chords, and “The Crazy Cries of Love,” about a late-night tryst on a train bridge that she wrote with her boyfriend, Saskatoon songwriter Don Freed. But other songs, such as “Lead Balloon” and “No Apologies,” attack some of Mitchell’s favorite targets: corrupt lawyers and twofaced record executives. On the acerbic title track, she sings: “I’m a runaway from the re...

One of the world's pre-eminent record producers, Canada's Daniel Lanois stepped out from behind the controls in 1989 to release his own album. An auspicious debut, Acadie signalled the arrival of a promising new performer with a flair for moody, country-tinged rock. For the Beauty of Wynona, his follow-up album, reveals other facets of his artistry. Inspired by Winona, Ont., the town near Hamilton where Lanois grew up, the recording is full of songs that conjure up stark, sometimes haunting images. The title track, with its childhood memories of fishing and girls skipping double-dutch, and “Sleeping in the Devil's Bed,” a lazy honky-tonk number, have a shimmering, dreamlike quality. And ther...

For fans who have always known that a serious singer lurked beneath k. d. lang's tongue-in-cheek country exterior, Ingénue is thrilling confirmation. Gone are the hoedown humor and country-punk affectations that characterized--and sometimes marred--her earlier style. A moody collection of ballads, Ingénue is steeped in the torch tradition of such singers as Julie London and Patsy Cline in her pop period. And the songs, written mostly by lang and fiddler Ben Mink, reveal a surprising vulnerability. On “The Mind of Love,” a tale of tortured romance, lang asks herself, "where is your head Kathryn/where is your head." And on “Save Me,” a shimmering ballad, her voice washes over the listener like...

Lori Yates' country roots run deep--in Toronto's Queen Street music scene, not Nashville. So when CBS Records signed the singer and flew her down to Music City to record a debut album in 1989, it proved to be a mistake: Can't Stop the Girl not only took the girl our of the country, it also took the country--at least Yates' special brand of it--out of the girl. Five years later, the spirited singer finally gets the introduction she deserves with Breaking Point, a superb collection of rocking country and bluesy pop tunes written and performed with the cream of Queen Street talent. A gritty heartache number like "Make a Liar Out of Me," with backup vocals by Blue Rodeo's Jim Cuddy and guitarist...

1. Janelle Monáe - Dirty Computer She’s made two conceptual albums featuring her alter-ego, the time-traveling android Cindi Mayweather, and starred in two films: the Oscar-winning Moonlight and Hidden Figures. And yet a major commercial breakthrough has so far eluded her. But this could be Monáe’s moment. Working with Prince before he died in 2016, Monáe went on to create a strikingly personal album. The sensual “Make Me Feel” is a direct homage to Prince’s “Kiss,” while “Americans” resembles the free spirit of his “Let’s Go Crazy” and the finger-popping “Pynk” channels the Purple One’s sexually liberated anthems. Monáe uses her new album to explore themes of femininity, LGBTQ and blac...

At 76, Sir Paul could be forgiven if he slowed down and kicked back in his slippers with a nice cuppa. But that’s not Macca’s way. In fact he’s as busy as ever, going viral with James Corden’s Carpool Karaoke and launching another world tour Sept. 17 in Quebec City. On his 17th solo studio album, McCartney sounds still in his prime—feisty, frisky and having fun. The flirtatious “Come On to Me” is a delirious rocker, while “Fuh You,” produced by hitmaker Ryan Tedder, is sexy and infectious. The rest of the album, produced by Greg Kurstin (Beck, Adele), ranges from the Latin jazz of “Back in Brazil” and the bouncy “Happy With You” (about his wife Nancy Shevell) to the cautionary political...

From its upside down cover photo to the off-kilter music inside, Grande’s fourth album is clearly meant as the ponytailed pop singer’s Mature Artistic Statement. The quirkier tracks come courtesy of singer-rapper-producer Pharrell Williams, of “Happy” fame, while the more straightforward offerings are the work of Swedish hitmaker Max Martin. Grande makes no direct reference to the terrorist attack at her May 2017 Manchester concert that killed 23 people and injured another 500, although one bubbling, infectious Williams number has Grande half-rapping “The light is coming to give back everything the darkness stole.” She addresses her clinical anxiety on “Breathin’” and “Get Well Soon,” the la...

Mraz is unapologetically wholesome. He likens his live show to a yoga class. His albums always have at least one song with love in the title. That sunny outlook helped the talented singer-songwriter win two Grammy Awards and sell over seven million albums. But it all went sour when America’s political climate turned toxic. Despondent, Mraz wrote several protest songs that failed to connect and he briefly considered quitting. But a stint on Broadway restored his love of performing and he decided he “could be of more service as the voice of optimism.” Mraz's sixth album is just the right tonic for these dark times. “Love is Still the Answer” is a gorgeous ode to positivity, much like the regga...