Gordon Lightfoot Book, Music and More!

Several years ago, I was contacted by a Montreal man named Peter Weldon who asked if I’d like to hear an unreleased 1969 recording of Kate and Anna McGarrigle’s original folk group, the Mountain City Four, singing the music of Wade Hemsworth with the composer himself. Absolutely, I told Weldon. I’d long loved Hemsworth’s songs and was excited to hear anything unreleased that included the wondrous McGarrigles. The Mountain City Four had begun when Weldon and another musician, Jack Nissenson, recruited the younger McGarrigle sisters to join them in song (I have a personal connection with Nissenson, but more on that later). Soon, the MC4 were packing coffeehouses as stars of Montreal’s burgeoni...

Here, in alphabetical order, are the artists who made some of my favourite music of 2021. These are the albums that excited me most and that I turned to again and again throughout the year. Some, like Adele, Rhiannon Giddens and Robert Plant & Alison Krauss, are international musicians I’ve been following from the start of their careers. Others, like Arooj Aftab and Mdou Moctar, are more recent global discoveries. The rest all come from closer to home and stand alongside the best I’ve heard in the past 12 months. Adele - 30  England’s Adele has a habit of naming albums after her age. She also has a tendency to belt out ballads, the kind that huge numbers of people respond to, s...

The story of rock and roll’s arrival in Canada has often been reduced to this: a good ol’ boy from Arkansas named Rompin’ Ronnie Hawkins blew into Toronto with his Hawks in 1958 and cast a hypnotic spell on unsuspecting Canadian audiences.  While it’s true that Hawkins did much to popularize rock music north of the 49th parallel, there were other, often unsung pioneers here already laying the groundwork. And that’s the strength of Greig Stewart’s new book Hawkins, Hound Dog, Elvis and Red: How Rock and Roll Invaded Canada. Stewart pays tribute to performers like Bobby Dean (Blackburn) and the Gems, Frank Motley and his Motley Crew, Little Caesar and the Consuls, Les Vogt and t...

Some of my favourite albums in 2020, with the notable exception of Bob Dylan’s formidable Rough and Rowdy Ways, were by Canadian artists. This is not to say that these recordings were necessarily the best of the year, because my ears were not attuned to as much new music as usual—so who am I to judge? In fact, much of my lockdown listening during this strangest of years tended toward old familiar standbys: aural comfort food for covid times. But these were the albums from the past year that I found most inspiring. U.S. Girls Heavy Light Meg Remy is an American-born artist who records under the name U.S. Girls. She moved to Toronto in 2010 after marrying the Canadian musician Maximi...

Nobody could accuse Lhasa de Sela of taking the easy route to stardom. The Montreal musician insists on singing songs entirely in Spanish at a time when other Quebecbased acts going for a wider audience—even francophone ones— have opted for English. Yet Lhasa’s exotic sound, steeped in melancholic Mexican ballads, has clearly struck a chord. The 25-year-old singer’s debut album, La Llorona, recently went gold in Canada with sales of 50,000 and earned her two Juno nominations, for best global album and best new solo artist Meanwhile, her performances have drawn rave reviews for their intense theatricality. Born in upstate New York to a Mexican father and an American mother, a teacher and phot...

Not many contemporary artists have written and recorded memorable songs about the First World War, the horrific 1914-1918 conflict that killed nine million soldiers and 13 million civilians. One of the best is Australian folksinger Eric Bogle’s ballad “And the Band Played Waltzing Matilda,” as covered by the Pogues on their 1984 album Red Roses for Me. Toronto’s Tony Quarrington has recorded an entire album of original WW1 songs called For King and Country: Canada in the Great War and many are well worth hearing. It takes listeners through the experiences of Canadians during the war, in the trenches and on the home front. There are songs about Winnipeg flying ace Alan McLeod (...

Blue-eyed soul was the term coined in the 1960s to describe the sound of the rhythm-and-blues stylings of excitable white boys. The most famous exponents were America’s Righteous Brothers, the Young Rascals and England’s Spencer Davis Group, with vocalist Stevie Winwood. One the world’s best blue-eyed soul singers has always been Canada’s John Finley. As a member of Toronto’s r&b heroes Jon and Lee & the Checkmates, Finley caused a sensation in the mid-’60s with gut-wrenching, sweat-soaked performances and hyper-adrenalized emotion in a voice that held audiences spellbound as he soared from hushed stage whisper to rafter-shaking scream.  With the Checkmates, Finley was a dominan...

Most drummers stick with the backbeat. With few exceptions (Levon Helm, Ringo Starr, Don Henley and Father John Misty come to mind), the dudes behind the kits rarely step forward to become solo artists in their own right. Toronto’s Martin Worthy has always been a different kind of drummer, one who could easily pick up a guitar and croon a sweet folk ballad or a wry country tune—songs he’d come up with when no one was watching. Although he started out in high school pounding the skins in various rock and soul bands, Worthy was really a singer-songwriter trapped in a drummer’s body. During the 1970s, Worthy partnered with his friend Paul Quarrington in a Seals & Croft-style folk duo called...

The doldrums of contemporary popular music have led many artists to other cultures in search of inspiration. Increasingly, bands such as Talking Heads and the Police are incorporating African or West Indian rhythms into their sound. Just how rich and varied that mix can be is evident on Music and Rhythm, a double-record set featuring musicians from more than 15 countries. The “benefit” album was intended to offset the debts of the World of Music Arts and Dance (WOMAD), a large multicultural festival held in England last summer. The collection places rock musicians, from former Genesis singer and festival promoter Peter Gabriel to the Who’s Peter Townshend, alongside the primeval sounds ...

After exhausting the musical possibilities of rhythm and blues over the past 30 years, pop music is searching for ways to rejuvenate itself. The Police found success with their own brand of Jamaican reggae, and such bands as Talking Heads, the English Beat and Culture Club have eagerly borrowed ingredients from other Third World sources. Now musicians— including the Police—are turning to Africa for inspiration. Of all the sounds to come out of that continent recently the most influential—and exotic—is the juju music of Nigeria’s King Sunny Adé. Last week Adé played two triumphant concerts in Montreal and Toronto to coincide with Synchro System, his first album to be released in Canada. ...