Gordon Lightfoot Book, Music and More!

Reggae artists seem to have a knack for taking well-known pop songs, transforming them with reggae’s distinctive, loping rhythm—what Bob Marley called “the one drop”—and creating new, sure-fire hits for themselves. Think of Toots and the Maytals’ reggae-fied remake of John Denver’s “Take Me Home, Country Roads,” Peter Tosh’s Rasta variation on Chuck Berry’s “Johnny B. Goode” or UB40’s version of Sonny and Cher’s “I Got You Babe.” Reggae crooner Dennis Brown is no exception. Brown’s two current albums, Victory is Mine (on RAS Records) and Over Proof (Shanachie), each takes a North American hit and puts an unmistakable Jamaican spin on it. The former features a bubbly versi...

He was one of the early architects of Jamaican music – a guitarist, bass player, songwriter, arranger and producer whose contributions to hundreds of recordings helped to shape reggae and popularize it around the world. He played with Bob Marley, Jimmy Cliff, Johnny Nash and Toots and the Maytals, and worked for such famous studio owners as Duke Reid, Bunny Lee and Lee (Scratch) Perry, and the Trojan, Treasure Isle and Upsetter record labels. Yet the name Ronnie (Bop) Williams is barely known outside of reggae circles. Part of the reason for the near anonymity was Mr. Williams’s own modesty. A soft-spoken man, he came from extremely humble roots in rural Jamaica, teaching himself to play on ...

Reggae music, product of the shantytowns of Jamaica, has often echoed the turbulence of its Caribbean birthplace. When reggae star Peter Tosh, 42, was gunned down in his Kingston home on Sept. 11 during an attempted robbery, his murder added yet another violent chapter to the history of The Wailers, the celebrated band that Tosh and Bob Marley founded in 1963 with Bunny Livingstone. No Nuclear War (Capitol), a new collection of Tosh's protest songs, arrived in record stores just a few weeks before his death. Although none of the material matches the standard of "Get Up, Stand Up," the classic anthem Tosh coauthored with Marley, the album does serve as a fitting postscript to his provoca...

When Bob Marley died of cancer at 36 in 1981, he received a burial more befitting a king than a musician. His funeral drew the largest crowds in Caribbean history. The Jamaican parliament recessed for 10 days of national mourning, having just awarded him an Order of Merit. As millions mourned the passing of reggae music’s first major star, music industry insiders predicted that reggae— with its bass-heavy beat and its lyrical links to the island’s mystical Rastafarian religion— would soon fade away. But the forecast was wrong. Despite the death of its leading practitioner and reggae’s continuing struggle for airplay on North American radio stations, its appeal keeps spreading. This summer, r...

Mittoo was a founding member of The Skatalites and a legendary Studio One keyboardist who backed Bob Marley, Jimmy Cliff and others. His music played a crucial role in reggae’s foundation and he left a rich recorded legacy of his work in both Jamaica and Canada, where he lived through the 1970s and ’80s. This reissue of a rare album, recorded in Toronto in 1971, captures Mittoo at his best on gems like the majestic instrumental “Grand Funk” and the soaring, gospel-tinged reggae workout “Soul Bird.”