Gordon Lightfoot Book, Music and More!

A master of reinvention, Bob Dylan is never content to play a song the same way twice. Last night at Massey Hall, the self declared song-and-dance man entertained with interpretations of numbers drawn from his own back pages (with the exception of a Grateful Dead cover and an American Songbook standard) that rendered them virtually unrecognizable. Sometimes this was a thrilling novelty, with a hatted Dylan standing behind a grand piano and belting out a bluesy, saloon-style rendition of “I’ll Be Your Baby Tonight” like an less frenzied Jerry Lee Lewis. At other times, it was a frustrating mystery. Trying to identify a song by lyric wasn’t always possible because of Dylan’s chronic case of mu...

In July 2005, I spoke with Sinéad O'Connor about her reggae album, Throw Down Your Arms, that she’d recorded in Jamaica with Sly and Robbie. There was a lot going on in the world at the time. Live 8, the series of anti-poverty benefit concerts organized by Bob Geldof on the 20th anniversary of Live Aid, had just taken place. The news cycle was filled with horrific stories about the suicide attacks by Islamic terrorists that killed 56 early-morning commuters on the London Tube. We talked about those events, as well as ganga, God and her decision never to revisit her pop past again.  But Sinéad was musically motivated—Throw Down Your Arms was her first recording since her t...

More than any other singer-songwriter, Gordon Lightfoot personified Canada. His robust songs about winter nights, morning rain, being bound for Alberta and sailing on Ontario’s Georgian Bay came closest to expressing for many Canadians the essence of life in the Great White North. Historical epics stood alongside romantic ballads. Author Pierre Berton once said that Lightfoot’s “Canadian Railroad Trilogy” conveyed as much about the building of the national railway as his own best-selling book on the subject. When Lightfoot died Monday evening at the age of 84, leaving a vast legacy of more than 500 songs, Canada lost a masterful composer, a distinctive vocalist and one of its ...

The talented troubadour's fifth album, and first since 2018's Starter Home, offers no big surprises—just more first-rate folk and country songs, many of which sound like they're destined to join such other Paisley classics as “Drinking With a Friend” or "No One But You." But consistency is a virtue worth celebrating. And Paisley's intimate songwriting, warm voice and crisp guitar work is never anything less than exceptional. He's like a modern-day Kristofferson or Lightfoot who keeps hitting it out of the park.  This time around, Paisley works with Afie Jurvanen (Bahamas), who produces and provides additional guitar, as well as sterling side players including drummer Don Kerr, guit...

It surprised no one who knew him that Mendelson Joe would choose to die entirely on his own terms. In a Feb. 7 post on his website titled “That’s It Folks,” the prolific, self-taught musician, painter and activist who had advanced Parkinson’s disease, wrote: “I have ended my job as multi-media artist with the provision of MAID (Medical Assistance in Dying).” Unable to resist a last chance to advocate his beliefs, he added: “I see MAID as a sign of a civilized society. To be born Canadian is a great blessing. We have free speech. We have healthcare. We have MAID. Thank you, Canada.” Mr. Joe was 78. Those closest to him remember a unique man, unwavering in his views and blunt in delivering the...

"Best of" lists are, frankly, silly. How can one possibly decide the finest work unless all works in that category are considered? When it comes to recordings, there simply aren't enough hours in a day (or even a year) to listen to everything that's been released. As the saying goes: so much music, so little time. Rather than declare these nine albums the best of the year, I'm calling them nine of my favourite recordings that I came across in 2022.        Warm Chris - Aldous Harding One of the most intriguingly inscrutable singer-songwriters working today, the New Zealand-born, Welsh-based Harding defies predictability, with a chameleon-like voice that changes in tim...

In February 1968, Ian and Sylvia made a pilgrimage to Music City, home of the Grand Ol’ Opry, to record their Nashville album with session cats like Fred Carter, Jerry Reed and Harold Bradley. The Byrds hadn’t yet arrived to make their Sweetheart of the Rodeo album and it would be a full year before Bob Dylan showed up to record Nashville Skyline. After years of being overlooked, Ian and Sylvia’s Nashville is now finally recognized as the first pop-country crossover album. Both it and the subsequent Full Circle paved the way for the duo’s landmark country-rock album, Great Speckled Bird, recorded in Nashville with Todd Rundgren as producer. “...

There are seminal events in music history, seismic shifts that occur when forces of personality, timing and circumstance collide to create something truly monumental. Sometimes, they are individual moments, like when Chuck Berry wrote his genre-defining “Maybelline,” John Lennon met his future collaborator Paul McCartney or Bob Dylan plugged in and launched a musical revolution.  Other times, the milestone involves a gathering such as Woodstock or the Harlem Cultural Festival, known informally as the Black Woodstock, which became the subject of the recent award-winning documentary Summer of Soul. Both of those events took place in 1969, a year that saw a flurry of festivals; that s...

It resembled the historic Live Aid concert of 1985: a global jukebox featuring some of the world's top musicians performing for a cause. And like the original world benefit for African famine relief, the event was broadcast to an audience expected in advance to number one billion viewers in more than 100 countries.Last Saturday's multinational concert, titled Our Common Future, also reflected the new activism in rock music by focusing on an urgent global issue: the environment. The performers included Elton John in Edinburgh, Diana Ross in London, Herbie Hancock and John Denver in New York City, Midnight Oil in Sydney, Sting in Rio de Janeiro, along with artists in Los Angeles, Norway, Tokyo...

Los Angeles singer Tom Waits has always viewed his favorite denizens of the night with a charming romanticism. But with Rain Dogs Waits’s derelict characters have taken on gritty, three-dimensional life. On "Cemetery Polka" a sad accordion and rude trombone flesh out his vivid portrait of a wildly eccentric family. And the tinkling, aimless piano in "Tango Till They’re Sore" is well suited to the rambling imagination of the song’s narrator. But Waits is most coherent when he sticks to shattered dreams and tin-can sounds of alleyways. On several songs he uses makeshift percussion instruments to create a kind of hobo’s orchestra. His gift for idioms has always been impressive, but now, with a ...