Rise Up looks at the digital age of Canadian music in the 1980s, a visual era of big hair and shoulder pads, when music videos helped homegrown artists to take off internationally. America’s MTV and Canada’s MuchMusic provide launching pads for artists as varied as Triumph, Bruce Cockburn, Chilliwack, Jane Siberry, Men Without Hats and Bryan Adams. Blending illuminating interviews with thrilling concert footage and videos, including Rush’s “Tom Sawyer,” 54-40’s “I Go Blind,” Blue Rodeo’s “Try” and k.d. lang’s “Hanky Panky,” Rise Up takes viewers on a thrilling ride into the decade’s pop stratosphere. Along with such telegenic performers as Gowan and Dalbello, the hit-filled documentary inclu...

Details: Author: Nicholas Jennings; Hardcover: 168 pages; Publisher: Macmillan Canada; 2000, Language: English; ISBN 0771576641 Book Description from Amazon In fifty years, EMI Music Canada has grown from a local distributor for Capitol Records into a major player in our music industry. While ensuring that Canadian music-lovers could get the latest Frank Sinatra release (and later The Beatles), EMI staff also began to visit local music scenes across the country to find and promote homegrown talent. From The Esquires and Gisele Mackenzie to Anne Murray, Glass Tiger, Tom Cochrane and Susan Aglukark, EMI has championed Canadian musicians and singers and brought them to the attention of both nat...

Book Description from Amazon This is an entertaining, authoritative, and highly anecdotal look at the golden era of Canadian pop music-the historically important decade that gave birth to such internationally respected recording artists as Neil Young, Joni Mitchell, Ian & Sylvia Tyson, Gordon Lightfoot, Murray McLauchlan, Bruce Cockburn, Buffy Saint Marie, Blood, Sweat & Tears, and Ronnie Hawkins. In the bohemian sixties, Toronto's Yorkville neighbourhood was a hippie haven-our version of Haight-Ashbury or Greenwich Village, a place where coffeehouses like the Riverboat and the Purple Onion offered a creative mecca for musicians from across Canada. They came from Saskatoon and Winnip...

Synopsis

The 1970s gave us bell bottoms, shag hair and shag carpeting a whole lotta great music…from glam and progressive rock to punk and reggae. This Beat Goes On offers a jukebox full of chart-topping songs, from “Sundown,” Gordon Lightfoot’s confessional tale of infidelity,” to Trooper’s rambunctious party anthem “Raise a Little Hell,” to showcase the rapid growth of the Canadian sound.

Mixing archival footage with candid interviews from top artists and industry heavyweights, Hour One focuses on the formative years of Canada’s music scene, a time of proven hitmakers like Anne Murray, Neil Young, Joni Mitchell and The Guess Who. The decade starts out on a controversial note, as a government ruling forces radio stations to play 30 per cent Canadian content, or CanCon. “That was the biggest problem,” DJ Red Robinson believes, “that arbitrary 30 per cent. I think it should’ve started at 10 or 15 per cent and then let it grow.”

Synopsis

The 1980s was the visual era, a time of aerobics, big hair and even bigger shoulder pads. The decade sees the rise of music videos and the arrival of the digital age, which brings everything from Pac-Man games to compact discs. It’s also the time when Canadian music explodes internationally. Mixing concert clips and interview footage, Rise Up digs up a treasure trove of gold and platinum hits, from Men Without Hats’ “The Safety Dance” to Bryan Adams’ “Summer of 69,” to showcase Canadian music’s phenomenal global rise.

The 2009 Polaris Music Prize finalists include some outstanding new talent.This year’s Short List nominees are: Elliott Brood – Mountain Meadows (Toronto, ON)Fucked Up – The Chemistry Of Common Life (Toronto, ON)Great Lake Swimmers – Lost Channels (Toronto, ON)Hey Rosetta! – Into Your Lungs (and around in your heart and on through your blood) (St. John’s, NF)K’naan – Troubadour (Toronto, ON)Malajube – Labyrinthes (Montréal, QC)Metric – Fantasies (Toronto, ON)Joel Plaskett – Three (Halifax, NS)Chad VanGaalen – Soft Airplane (Calgary, AB)Patrick Watson – Wooden Arms (Montréal, QC) I’m proud to be a Grand Jury member this year, along with these colleagues: Bryan Acker (Herohill)Stuart Derdeyn (...

Heritage Toronto press release: On June 18 2009, Heritage Toronto was joined by some of Canada's most notable musicians to commemorate famed Yorkville coffeehouse, the Riverboat.  Located in the narrow basement of a house at 134 Yorkville Ave, the Riverboat was opened in 1964 by Bernie Fiedler and became the best-known coffeehouse in Canada. Over its history, the Riverboat stage was graced by Canada's music elite, including Joni Mitchell, Neil Young and Gordon Lightfoot. The Riverboat remained open until 1977, by which time it was the sole remaining coffeehouse in the area. A number of musicians who graced The Riverboat's stage during its illustrious life attended the event, includ...

Toronto’s Cowboy Junkies have carved out an impressive career with their narcotic brand of roots rock. Reveling in downtempo numbers, they’ve often been accused of making sad music. On the Junkies’ latest album, One Soul Now, songwriter Michael Timmins addresses the issue on the song “Notes Falling Slow.” “Partly,” says Timmins, “it comes from a lot of people saying to us that our music is depressing, when actually, it’s just slow.” Nice try, Mike, but the music actually is melancholic. Timmins’ sister, singer Margo, confirms as much when she explains that the new album’s songs deal with “death, divorce, financial worries, age, sickness and just general fatigue.” Not typically...

Hailing from the U.S. Midwest, The BoDeans first made their mark with a sound that drew on stirring harmonies and ringing guitars. Along with bands like Los Lobos and Lone Justice, they led the roots-rock revolution of the mid-1980s. Although they haven’t issued an album since 1996’s Blend, due to contractual disputes, The BoDeans are back with their signature sound. You’d never know there’d been problems. Passionate songs like the chiming “If It Makes U,” the Springsteen-inspired “617” and the dreamy ballad “Slipping into You” feature the patented vocals of Sam Llanas and Kurt Neumann. And “(We Can) Live” and “Wild World” are buoyant, feel-good rockers, while “Two Souls” boasts a fine,...