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The talented troubadour's fifth album, and first since 2018's Starter Home, offers no big surprises—just more first-rate folk and country songs, many of which sound like they're destined to join such other Paisley classics as “Drinking With a Friend” or "No One But You." But consistency is a virtue worth celebrating. And Paisley's intimate songwriting, warm voice and crisp guitar work is never anything less than exceptional. He's like a modern-day Kristofferson or Lightfoot who keeps hitting it out of the park.  This time around, Paisley works with Afie Jurvanen (Bahamas), who produces and provides additional guitar, as well as sterling side players including drummer Don Kerr, guit...

"Best of" lists are, frankly, silly. How can one possibly decide the finest work unless all works in that category are considered? When it comes to recordings, there simply aren't enough hours in a day (or even a year) to listen to everything that's been released. As the saying goes: so much music, so little time. Rather than declare these nine albums the best of the year, I'm calling them nine of my favourite recordings that I came across in 2022.        Warm Chris - Aldous Harding One of the most intriguingly inscrutable singer-songwriters working today, the New Zealand-born, Welsh-based Harding defies predictability, with a chameleon-like voice that changes in tim...

There are seminal events in music history, seismic shifts that occur when forces of personality, timing and circumstance collide to create something truly monumental. Sometimes, they are individual moments, like when Chuck Berry wrote his genre-defining “Maybelline,” John Lennon met his future collaborator Paul McCartney or Bob Dylan plugged in and launched a musical revolution.  Other times, the milestone involves a gathering such as Woodstock or the Harlem Cultural Festival, known informally as the Black Woodstock, which became the subject of the recent award-winning documentary Summer of Soul. Both of those events took place in 1969, a year that saw a flurry of festivals; that s...

Los Angeles singer Tom Waits has always viewed his favorite denizens of the night with a charming romanticism. But with Rain Dogs Waits’s derelict characters have taken on gritty, three-dimensional life. On "Cemetery Polka" a sad accordion and rude trombone flesh out his vivid portrait of a wildly eccentric family. And the tinkling, aimless piano in "Tango Till They’re Sore" is well suited to the rambling imagination of the song’s narrator. But Waits is most coherent when he sticks to shattered dreams and tin-can sounds of alleyways. On several songs he uses makeshift percussion instruments to create a kind of hobo’s orchestra. His gift for idioms has always been impressive, but now, with a ...

Joni Mitchell’s last album, Wild Things Run Fast, reflected the maturity of a woman who had chased away her romantic demons. Now, Dog Eat Dog, her first release in three years, reveals that the 42-year-old musician has experienced a political awakening. The 10 new songs, which tackle such subjects as corporate greed, African famine and right-wing evangelism, may alienate her loyal listeners. But with its clever pop arrangements and engaging vocals, the album includes some of Mitchell’s most exuberant work in years. On the playfully syncopated title track she decries the “prime-time crime” of “bigwig financiers,” while in "Tax Free" actor Rod Steiger impersonates a raving evangelist who warns...

Several years ago, I was contacted by a Montreal man named Peter Weldon who asked if I’d like to hear an unreleased 1969 recording of Kate and Anna McGarrigle’s original folk group, the Mountain City Four, singing the music of Wade Hemsworth with the composer himself. Absolutely, I told Weldon. I’d long loved Hemsworth’s songs and was excited to hear anything unreleased that included the wondrous McGarrigles. The Mountain City Four had begun when Weldon and another musician, Jack Nissenson, recruited the younger McGarrigle sisters to join them in song (I have a personal connection with Nissenson, but more on that later). Soon, the MC4 were packing coffeehouses as stars of Montreal’s burgeoni...

Here, in alphabetical order, are the artists who made some of my favourite music of 2021. These are the albums that excited me most and that I turned to again and again throughout the year. Some, like Adele, Rhiannon Giddens and Robert Plant & Alison Krauss, are international musicians I’ve been following from the start of their careers. Others, like Arooj Aftab and Mdou Moctar, are more recent global discoveries. The rest all come from closer to home and stand alongside the best I’ve heard in the past 12 months. Adele - 30  England’s Adele has a habit of naming albums after her age. She also has a tendency to belt out ballads, the kind that huge numbers of people respond to, s...

The story of rock and roll’s arrival in Canada has often been reduced to this: a good ol’ boy from Arkansas named Rompin’ Ronnie Hawkins blew into Toronto with his Hawks in 1958 and cast a hypnotic spell on unsuspecting Canadian audiences.  While it’s true that Hawkins did much to popularize rock music north of the 49th parallel, there were other, often unsung pioneers here already laying the groundwork. And that’s the strength of Greig Stewart’s new book Hawkins, Hound Dog, Elvis and Red: How Rock and Roll Invaded Canada. Stewart pays tribute to performers like Bobby Dean (Blackburn) and the Gems, Frank Motley and his Motley Crew, Little Caesar and the Consuls, Les Vogt and t...

Some of my favourite albums in 2020, with the notable exception of Bob Dylan’s formidable Rough and Rowdy Ways, were by Canadian artists. This is not to say that these recordings were necessarily the best of the year, because my ears were not attuned to as much new music as usual—so who am I to judge? In fact, much of my lockdown listening during this strangest of years tended toward old familiar standbys: aural comfort food for covid times. But these were the albums from the past year that I found most inspiring. U.S. Girls Heavy Light Meg Remy is an American-born artist who records under the name U.S. Girls. She moved to Toronto in 2010 after marrying the Canadian musician Maximi...

Nobody could accuse Lhasa de Sela of taking the easy route to stardom. The Montreal musician insists on singing songs entirely in Spanish at a time when other Quebecbased acts going for a wider audience—even francophone ones— have opted for English. Yet Lhasa’s exotic sound, steeped in melancholic Mexican ballads, has clearly struck a chord. The 25-year-old singer’s debut album, La Llorona, recently went gold in Canada with sales of 50,000 and earned her two Juno nominations, for best global album and best new solo artist Meanwhile, her performances have drawn rave reviews for their intense theatricality. Born in upstate New York to a Mexican father and an American mother, a teacher and phot...