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When one of Africa’s most celebrated musicians receives visitors at his home in the Nigerian capital of Lagos, he lounges in little more than a striped bathing suit, which tends to slip down in the back. But when Fela Anikulapo Kuti jumps on stage to perform, his costume is a study in flamboyance. He wears a blue jump suit and pants embroidered with saxophones. His act is equally colorful. He sways his saxophone and waves his arms to keep his 27 musicians in line. Between blasts of his multicolored sax, Fela sings in pidgin English the provocative lyrics that have aroused the ire of the military government of his native Nigeria—and which have won him the title of the Afrobeat King, as critic...

His father cast a long shadow. Fela Anikulapo Kuti was a musical star and political icon whose global popularity made him both a hero and an enemy of the state in his native Nigeria. But Femi Kuti has learned to live in that shadow. As the son of the inventor of the politically charged, wildly percussive music known as Afro-beat, Femi has picked up where his legendary father, who died in 1997, left off. Signed to a French record label, Femi has taken Afro-beat and fused it with elements of soul and hip-hop to create one of this spring’s most talked-about releases. Titled Shoki Shoki (Barclay/Universal), the powerful album promises to make a star of the 37-year-old singer-saxophonist, who has...