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Gordon Lightfoot became a star at home during Canada’s centennial year. South of the border, he was still mostly known as the composer of hits for others, including Marty Robbins and Peter, Paul and Mary. All that changed in 1968. Why it didn’t happen earlier had a lot to do with the delayed release of the Canadian artist’s debut album, Lightfoot! Although recorded late in 1964, it didn’t appear until over a year later, by which time the folk boom had largely gone bust, thanks to the twin forces of the Beatles and an electrified Bob Dylan. Lightfoot was working hard at playing catch up, releasing The Way I Feel and touring relentlessly throughout ’67. By early the following year, the tide wa...

It is the most patriotic of all his songs, a three-part epic that recounts the construction of a nation-spanning railway, describes the stark beauty of a country’s landscape and tells of the human toil it took to build the “iron road runnin’ from the sea to the sea.” And yet Gordon Lightfoot’s “Canadian Railroad Trilogy” managed to resonate with listeners on both sides of the 49th parallel when it was released 50 years ago. Appearing on Lightfoot’s 1967 album The Way I Feel, the “Trilogy” was instantly embraced by Canadians already deep into celebrating their country’s 100th anniversary. But Americans somehow connected with the song as well. When Lightfoot launched into the robust ballad the...

A contemporary of Joni Mitchell and Gordon Lightfoot, David emerged in the ’70s as one of Canada’s finest singer-songwriters, covered by stars like Anne Murray and Harry Belafonte. This collection of previously unreleased songs, featuring such standouts as “Rocking Chair World” and “Ballad of Jacob Marlowe,” reasserts the depth of his talent.

Blue Rodeo is a summer favorite. But here the veteran Canadian band brings its rootsy vibe to wintry songs, including Jim Cuddy’s new “Home To You This Christmas.” The group also delivers such superb covers as a chiming take on Big Star’s “Jesus Christ,” a warm rendition of Gordon Lightfoot’s “Song for a Winter’s Night” and a stirring version of The Band’s “Christmas Must Be Tonight.” 

The latest from Roberts and his bearded bandmates is chock full of anxious anthems for our edgy times, from the uneasy “Stripmall Religion” and the twitchy “Them Kids” to the apocalyptic “End of the Empire,” with its Hip-like boogie guitar. And “Detroit ’67,” which reflects on the Motor City riots, is Roberts’ response to the Lightfoot classic “Black Day in July.” But hope is never far away from his worldview, as in the stirring title track and the joyous singalong “Lions of the Kalahari,” a shout out to his baby girl.