Gordon Lightfoot Book, Music and More!

When Wayne Gretzky was inducted into the Hockey Hall of Fame at a gala ceremony last November, only two artists were asked to perform: Stompin’ Tom Connors and Blue Rodeo’s Jim Cuddy. For Cuddy, who plays pickup hockey throughout the winter with a group of musicians, including members of the Rheostatics and the Tragically Hip, the invitation stands as a career highlight. But the 44-year-old singer-guitarist says he’s still a bit embarrassed about how he actually got to meet the Great One. “I inflicted myself on him at the end of the night,” recalls Cuddy, still shaking his head in disgust. “Everyone was getting their picture taken with him and I just jumped right in. He was very gracious abo...

The concert began and ended badly. Minutes before the members of Blue Rodeo were due onstage at the student lounge of Erindale College in suburban Toronto, the band’s manager, John Caton, had been refused admittance. A student security guard with a penchant for protocol insisted that because Caton had no photo identification proving he was old enough to drink, the manager—who is 39—could not go in. Undeterred, Blue Rodeo gave a spirited two-hour performance. Yet some people in the audience of 300 failed to give the show their full attention: it had been exam week, and several students were more interested in consuming large quantities of beer than in listening to the band’s thoughtful brand ...

Blue Rodeo is a summer favorite. But here the veteran Canadian band brings its rootsy vibe to wintry songs, including Jim Cuddy’s new “Home To You This Christmas.” The group also delivers such superb covers as a chiming take on Big Star’s “Jesus Christ,” a warm rendition of Gordon Lightfoot’s “Song for a Winter’s Night” and a stirring version of The Band’s “Christmas Must Be Tonight.” 

Over the course of 30 years, Blue Rodeo has built a loyal following of fans drawn to memorable songs and the warm harmonies of frontmen Jim Cuddy and Greg Keelor. In 1993, the beloved Canadian alt-country rockers decamped to Keelor’s farm and recorded what many consider to be their best album: Five Days in July, a sunny collection with a communal feel that featured friends like Sarah McLachlan. Last fall, the 11-time Juno Award winners and Canadian Music Hall of Fame inductees returned to Keelor’s rural home and once again harvested pure gold. Says Cuddy: “It was apparent right away that it was going to be a good vibe record.” Songs like Cuddy’s shimmering “New Morning Sun” and Keelor’s hope...

Dallas and Travis Good have worked with Neil Young, author Margaret Atwood, Randy Bachman, Buffy Sainte-Marie and actor Gordon Pinsent. But it was another Canadian icon—one with whom they’ve yet to collaborate—who offered some crucial wisdom. It was 1996, when their band the Sadies was getting started, and Dallas’ and Travis’ father, Bruce, of bluegrass heroes the Good Brothers, was celebrating his 50th birthday at Toronto’s Horseshoe Tavern. Into the club walks Gordon Lightfoot, who’d had the senior Goods open for him during the 1970s. “Afterwards,” Travis recalls, “Lightfoot turned to us and says, ‘The only advice I’ll give you is do your own songs.’ We took heed and started getting rid of...