Gordon Lightfoot Book, Music and More!

Despite approaching it with some trepidation, I thoroughly enjoyed the movie Bob Marley: One Love in the end. Kingsley Ben-Adir, who looks nothing like Marley, seemed awkward in the role at first and his dreadlock wig was not at all convincing. But the English actor seemed to grow into the part as the film progressed, even his dreads became more natural, and he wound up capturing well the spirit, struggle and message of the man.  The filmmakers chose to frame the story between Marley getting shot 1976 and 1978’s One Love Peace Concert, when he brought political enemies Michael Manley and Edward Seaga together onstage. And there are some wonderful flashbacks, including the youn...

In July 2005, I spoke with Sinéad O'Connor about her reggae album, Throw Down Your Arms, that she’d recorded in Jamaica with Sly and Robbie. There was a lot going on in the world at the time. Live 8, the series of anti-poverty benefit concerts organized by Bob Geldof on the 20th anniversary of Live Aid, had just taken place. The news cycle was filled with horrific stories about the suicide attacks by Islamic terrorists that killed 56 early-morning commuters on the London Tube. We talked about those events, as well as ganga, God and her decision never to revisit her pop past again.  But Sinéad was musically motivated—Throw Down Your Arms was her first recording since her t...

Born on this day, March 3, in 1948, Jackie Mittoo can be rightly called the godfather of reggae music in Canada. When he emigrated to Toronto in 1969, Jackie was already a major star in Jamaica, having been a founding member of the ground-breaking Skatalites and a composer-arranger whose inspired keyboard work on countless Studio One recordings helped Jamaican music evolve from ska to rocksteady. Some say the gifted performer was the inventor of reggae itself.  After landing in Toronto, Jackie quickly began introducing audiences to a bubbling, keyboard-driven sound that came to be called reggae—earning himself widespread media attention and national airplay. Meanwhile, he recorded and t...

Now open: a brand new exhibit at the Friar’s Music Museum, devoted to the deep, rich history of Caribbean music in Toronto. Among the Rhythms and Resistance exhibition’s many rare and wide-ranging artefacts are hundreds of photographs, posters, handbills, recordings, videos, instruments, costumes, clothing and assorted ephemera related to calypso, reggae, soul, funk and hip-hop musicians in Toronto, dating back to the first arrival of Caribbean immigrants in the 1940s, ’50s and ’60s. Artists featured in this exhibition include Bob Marley, Lillian Allen, Jackie Mittoo, Louise Bennett, the Mighty Sparrow, JoJo Bennett, Leroy Sibbles, Michie Mee, Jay Douglas and many more. Proud to ha...

Reggae artists seem to have a knack for taking well-known pop songs, transforming them with reggae’s distinctive, loping rhythm—what Bob Marley called “the one drop”—and creating new, sure-fire hits for themselves. Think of Toots and the Maytals’ reggae-fied remake of John Denver’s “Take Me Home, Country Roads,” Peter Tosh’s Rasta variation on Chuck Berry’s “Johnny B. Goode” or UB40’s version of Sonny and Cher’s “I Got You Babe.” Reggae crooner Dennis Brown is no exception. Brown’s two current albums, Victory is Mine (on RAS Records) and Over Proof (Shanachie), each takes a North American hit and puts an unmistakable Jamaican spin on it. The former features a bubbly versi...