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The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.
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Music Feature: Tarig Abubakar and the rise of African music in Toronto

On a cool June night in 1988, Tarig Abubakar found himself walking along a desolate highway near Montreal’s Mirabel Airport, a bewildered stranger in an even stranger land. The Sudanese-born musician had just arrived on a flight from the motherland seeking to start a new life in Canada. But, without a friend or relation to greet him, his luggage lost in transit and with only $10 in his pocket, he was a lost soul. Four Haitians spotted him—a weary black figure dressed in a disheveled white suit—and offered him a ride. When they learned his circumstances and that he had no destination, they took him to Ballatou, an African music club in downtown Montreal. Being English-speaking,...
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Feature Article: A vital and vibrant beat - African music in Canada

Nadine McNulty remembers well the day that K’naan appeared at Toronto’s Afrofest. The year was 2000 and McNulty, as artistic director, had booked the then-unknown Somali-Canadian rapper to appear in the afternoon on the main stage at the popular outdoor festival. Rain showers failed to dampen the crowd’s enthusiasm for K’naan, who performed with just one backup vocalist and a tape playback. Recalls McNulty: “It was drizzling and here was this young guy just kicking it in front of this sea of umbrellas. It’s amazing to see how he’s now taken the world by storm.”K’naan, this year’s Juno Award winner for Songwriter and Artist of the Year, is a major Canadian star and international crossover act...
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Liner Notes: Tarig Abubakar & the Afronubians – Live!

When Tarig Abubakar died in 1998, the world lost one of African music’s greatest ambassadors. Having arrived in Canada from Sudan as a refugee 10 years earlier, Tarig made it his mission to bridge cultures with music. His band, the Afronubians, was a veritable United Nations ensemble, with musicians from East, Central and West Africa working alongside Canadian and even Russian-born players. Together, they forged a vibrant, rhythmic sound that attracted a loyal following on the Toronto club circuit. But Tarig was never content with just local exposure. He had visions of spreading African music far and wide. Between 1995 and 1997, he took his Afronubians on three cross-Canada tours, playing re...
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