Music journalism, books and more

Neil Young returned to the city of his birth in 1965, determined to break into Toronto’s flourishing music scene. He’d arrived with his Winnipeg group, the Squires, but their new folk-rock sound fell on deaf ears. Even changing their name to Four to Go failed to make a difference. So Young parted ways with his bandmates and launched himself as a solo folksinger. Before leaving Winnipeg, Young had become enamored of Bob Dylan’s music and taught himself to play “Four Strong Winds,” Ian Tyson’s Canada-referencing response to “Blowin’ in the Wind.” He’d also encountered Joni Mitchell, who was performing at the Fourth Dimension coffeehouse with her husband. After the show, Young went up to Joni, ...

The Silver Dollar is one of Toronto’s most historically significant music venues. Along with its important role as a blues bar for 16 years (1994-2010), it provided a regular showcase room for rock, jazz and bluegrass music.  The earliest known band to play there was Tommy Danton & the Echoes, a gold-lame-suited group fronted by a Sinatra-style crooner that performed a popular mix of jazz and rhythm 'n' blues. Danton and the Echoes (pictured below at right) had a long residency at the club, after it opened in 1958. In the ’70s, when the Dollar was a strip club, the house band included notable jazz players John T. Davis (B3 organ) and Tommy Okie (drums) who brought in sax great Jim H...

Silky vocals and soaring falsetto are his trademarks. So, too, are soul-baring lyrics and slowed-down, smoothed-out r&b. All of which has made Caesar, who won a Grammy for his debut, a modern quiet-storm sensation. With his excellent third album, the Toronto artist cranks up the emotion—but not the tempo. Songs like the hook-laden “Always” and the dream-like “Pain is Inevitable” deal with vulnerability and heartbreak, while the sultry “Let Me Go” is like a candle-lit bath. Brimming with confidence even as he expresses doubts about fame, Caesar’s latest finds the talented singer at the top of his game. 

Truths & Rights was arguably the best reggae band ever to come out of Canada. Formed in the late 1970s in Toronto's Regent Park district, the band, made of of singer-guitarist Mojah, singer Ovid Reid, lead guitarist Vance Tynes, keyboardist Iauwata, bassist Xola, percussionist Ahmid, conga player Quammie Williams and trap drummer Abnadengel, brought reggae music to the downtown scene. Also part of the band was graphic artist Ato Seitu and sound engineer Jeffrey Holdip. "We got tired of playing uptown to just community groups and in community centres," recalls Mojah. "I, for one, always wanted to move out into the mainstream. So I set out on a path of coming down to Queen Street in Toront...

Peter Goddard, who passed away in 2022, left a vast archive of writing about music. As Canada's first on-staff popular music newspaper critic, he charted the way for others to follow, writing intelligent reviews, profiles and feature articles about artists and trends. He wrote constantly, yet always with great care and thoughtfulness, about his subjects, returning to the newsroom after an interview or concert and working into the wee hours to turn around a review or feature for the next day's paper.  Goddard wasn't just tireless and prolific in his work. He was writing from a deeply informed place: he studied music history and was a musician himself. A graduate of the Royal Conservatory...