Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.
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Jackie Mittoo - Reggae's Keyboard King

Born on this day, March 3, in 1948, Jackie Mittoo can be rightly called the godfather of reggae music in Canada. When he emigrated to Toronto in 1969, Jackie was already a major star in Jamaica, having been a founding member of the ground-breaking Skatalites and a composer-arranger whose inspired keyboard work on countless Studio One recordings helped Jamaican music evolve from ska to rocksteady. Some say the gifted performer was the inventor of reggae itself.  After landing in Toronto, Jackie quickly began introducing audiences to a bubbling, keyboard-driven sound that came to be called reggae—earning himself widespread media attention and national airplay. Meanwhile, he recorded and t...
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New museum exhibit: Caribbean music in Toronto

Now open: a brand new exhibit at the Friar’s Music Museum, devoted to the deep, rich history of Caribbean music in Toronto. Among the Rhythms and Resistance exhibition’s many rare and wide-ranging artefacts are hundreds of photographs, posters, handbills, recordings, videos, instruments, costumes, clothing and assorted ephemera related to calypso, reggae, soul, funk and hip-hop musicians in Toronto, dating back to the first arrival of Caribbean immigrants in the 1940s, ’50s and ’60s. Artists featured in this exhibition include Bob Marley, Lillian Allen, Jackie Mittoo, Louise Bennett, the Mighty Sparrow, JoJo Bennett, Leroy Sibbles, Michie Mee, Jay Douglas and many more. Proud to ha...
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R. Dean Taylor - The Canadian who stepped out of the shadows of Motown

He was an unlikely pop star of the post-Woodstock era. Clean-shaven and pipe-smoking, with short, clipped hair and a preference for cardigans and safari jackets, he looked more advertising executive than hip musician. But Canada’s R. Dean Taylor was always determined to make it in the entertainment world. Venturing to Detroit in the early 1960s, he landed himself a job at Motown and became an anomaly – a white songwriter at a black rhythm-and-blues record label. Like many session singers and musicians, it seemed Mr. Taylor was forever destined to be just another background player, standing in the shadows of Motown. That changed when his song “Indiana Wants Me” catapulted him to stardom. Afte...
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