Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Liner Notes: Whiskey Howl - Whiskey Howl

Whiskey HowlCanadians have long had a love affair for the blues. In the 1970s, artists from Vancouver’s Powder Blues and Halifax’s Dutch Mason to Montreal’s Offenbach and Winnipeg’s Big Dave McLean thrilled audiences with their interpretations of the 12-bar form. The blues feeling has always been especially strong in Toronto, where a close proximity to Chicago and Detroit and regular appearances by major U.S. blues artists fostered a deep connection with the music. Three of Canada’s earliest and most successful blues groups hailed from Toronto and nearby Hamilton, including Downchild Blues Band, McKenna Mendelson Mainline and Crowbar with King Biscuit Boy. Into this blues-loving milieu came Whiskey Howl.

Continue reading
  4422 Hits

Liner Notes: Ian & Sylvia – Movin’ On 1967-1968

IanSylviaMovinCatalysts of the folk boom, Canada’s Ian Tyson and Sylvia Fricker burst onto the scene in the early 1960s with a unique vocal sound. Sold-out concerts at Carnegie Hall. Headline appearances at the Newport and Mariposa festivals. Hit songs like the now-classic “Four Strong Winds” and “You Were On My Mind.” A real singing cowboy and a church organist’s daughter, Ian & Sylvia were one of the hottest acts around. But all of that changed in the mid-1960s when The Beatles and the British Invasion landed on North American shores. The folk boom suddenly went bust and everyone—including Ian’s mentor, a scruffy kid named Bob Dylan—began plugging in.

“The Beatles shut us down,” Ian recalled in his 1994 autobiography I Never Sold My Saddle. “It was over. Over! We were the hottest ticket in California for about a year and a half, and then I remember standing in a club, maybe the Troubador in Los Angeles, and the announcer was announcing the upcoming acts, and when he mentioned Ian & Sylvia some of the people booed. That quickly we had gone from the hippest thing around to being booed.”

Time to move on. But rather than follow the pack into pop—something the record label was pushing—Ian & Sylvia gravitated toward country. There had already been hints of it on most of the duo’s Vanguard albums: “Spanish is a Loving Tongue” on Four Strong

Continue reading
  5024 Hits