Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

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Obituaries, Books

Music Review: Yoko Ono - Yes, I'm a Witch Too

Yoko Ono has long been misunderstood. Blamed for the Beatles’ breakup and criticized for her influence over husband John Lennon, she has never been accepted outside of avant-garde circles. That may be changing. Last year, New York’s Museum of Modern Art mounted an extensive exhibition of her paintings, drawings, sculptures, films and music. Now everyone from Sonic Youth to Lady Gaga is calling the controversial 83-year-old an influence. A new album of collaborations sees contemporary musicians reinterpreting her music. Alt-rockers Death Cab for Cutie provide new synth backing to Yoko’s “Forgive Me My Love,” while Sweden’s pop-rock trio Peter, Bjorn & John offer dramatic accompaniment to ...
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Music Review: Bonnie Raitt - Dig in Deep

The flame-haired star, part of rock’s sisterhood with Linda Ronstadt and Maria Muldaur, is a formidable slide guitarist. As a young performer on the Boston coffeehouse circuit in the late 1960s and early ’70s, Raitt met blues greats like Sippie Wallace, Son House and Muddy Waters and immersed herself in the tradition.Soon, she was winning acclaim for her own bottleneck style. Born and raised a Quaker, she has always mixed activism with her music, campaigning against nuclear energy with No Nukes concerts and co-founding the Rhythm and Blues Foundation, which works to improve royalties, financial conditions, and recognition for R&B pioneers. Her recorded history is exceptional, f...
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Music Feature: Ay Caramba! - Music in Cuba

Students practice the guaguancó, one of the most complex of all Afro-Cuban rhythms
Behind a dilapidated storefront in central Havana, an ancient ritual is under way. An old black man, sitting in a crumbling shell of a room, instructs four initiates in the art of traditional Yoruba drumming. Beneath the glare of a dangling light bulb, Elpidio Acea barely seems up to the task. Wiry and wizened, he looks like he’d have trouble keeping a heartbeat, let alone a tricky West African rhythm. But striking two cigar-shaped sticks together, he taps out the offbeat pattern that signs the drums to begin. His students, all young women, respond with a sudden flurry of beats. Today’s lesson is the guaguancó, one of the most complex of all Afro-Cuban rhythms. And two of the students can’t ...
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