Gordon Lightfoot Book, Music and More!

After exhausting the musical possibilities of rhythm and blues over the past 30 years, pop music is searching for ways to rejuvenate itself. The Police found success with their own brand of Jamaican reggae, and such bands as Talking Heads, the English Beat and Culture Club have eagerly borrowed ingredients from other Third World sources. Now musicians— including the Police—are turning to Africa for inspiration. Of all the sounds to come out of that continent recently the most influential—and exotic—is the juju music of Nigeria’s King Sunny Adé. Last week Adé played two triumphant concerts in Montreal and Toronto to coincide with Synchro System, his first album to be released in Canada. ...

It begins with one of the most recognizable riffs in Canadian music: a simple piano intro that goes “dum, da-da-dadum, da-dum, da-da-da-dum.” Written by CanRock legends Randy Bachman and Burton Cummings, it’s the introduction to “These Eyes,” the Guess Who’s massive international hit of 1969. But then a sliding guitar cuts in, followed by some thumping bass and drums. By the time a voice starts rapping about being “in this game a long, long time,” the song has been transformed into something entirely different. “It’s Stick to Your Vision,” the new hit by Maestro, the Canadian artist formerly known as Maestro Fresh Wes. “I’ve seen a lot of valleys, I’ve seen a lot of peaks,” he reminisces in ...

The setting was a public-housing unit in the Toronto suburb of Willowdale. But the two young men were basking in an unmistakably Caribbean atmosphere. The townhouse was filled with the pungent smell of a West Indian fish fry, and a video of a Jamaican reggae dance was playing on the TV. It seemed an unlikely base for two of the fastest-rising stars in rap music, a musical style more associated with U.S. ghettos than Canadian suburbs. But Caribbean-born King Lou (Louis Robinson) and Capital Q (Frank Allert) have made a name for themselves, as the Dream Warriors, by revolutionizing rap music. Said Q: “Everyone’s accustomed to rap with guys swearing and bragging about themselves and violence. W...

Even from an artist renowned for outrageous behavior, the action was a shocking sight. In August, 1984, Richard Penniman—better known as Little Richard, the flamboyant 1950s rocker—began picketing an office building in downtown Los Angeles. The rock star was not on strike; he was on a crusade. The offices belonged to ATV Music Corp., one of the world’s largest song publishers. Little Richard’s claim: that ATV, along with Specialty Records and Venice Music, owed him millions of dollars in royalties for “Tutti-Frutti,” “Good Golly Miss Molly” and other classic Little Richard hits. Four months later his $115-million lawsuit against those companies was thrown out of U.S. Federal Court. Now, Litt...

For defunct rock groups, 1983 has become the year of the reunion. Among the acts from rock’s golden years re-forming are The Guess Who, The Animals, The Hollies and Simon and Garfunkel. But the most unexpected return is that of The Band, Canada’s most celebrated rock ensemble. Its farewell concert seven years ago was so lavish and final that it made any suggestion of reunion seem dishonest. Now, with a two-week, 11-city Canadian tour that included a July 4 stop in Toronto (at the CNE Bandshell), The Band is back, although without the services of guitarist Robbie Robertson. From the heady days of the southern Ontario bar circuit in the 1960s to Martin Scorsese’s touching movie tribute, T...

The photographer was posing Ray Materick, his band and some promotion types for a casual group shot in the dressing room of Toronto's El Mocambo. They sat themselves around a table strewn with cigarette butts, guitar picks and a half-drained 40 ouncer of whiskey, waiting to be focused. Materick and his musicians had just finished a well-received first set downstairs and now, on cue, everyone began hamming it up for the benefit of the camera. “Just one more,” promised the photographer. Ironically, the walls behind them sported a colourful collage of assorted rock star faces. All the most successful performers, the Lightfoots, the McLauchlans and the Dylans were up there, staring out from the ...

The beer was flowing freely as waitresses served platters of breaded shrimp, gourmet pizza and chicken wings. But it was not the regular hockey crowd at Gardoonie’s, a popular watering hole opposite Toronto’s Maple Leaf Gardens. Instead, more than 300 people were gathered there last week to pay tribute to a rock ‘n’ roll legend. Standing amid the hockey memorabilia on the walls, Ronnie Hawkins was beaming as he surveyed the crowd. Officially, the lavish party was being held to launch Let it Rock!, his 26th album and the accompanying video that captures his recent 60th birthday concert at Toronto’s Massey Hall, featuring such rock luminaries as Jerry Lee Lewis, Carl Perkins and The ...

My editor thinks Elvis Costello’s latest album, North, is a lot like Frank Sinatra’s 1954 classic In the Wee Small Hours. He’s right: both recordings are intimate explorations of emotional loss and the rush of new romance. On top of that, the string-backed piano ballads pack an immediate, visceral punch despite their spare instrumentation. When Costello calls, I mention the comparison. “That’s very flattering,” he says from the back of a limousine speeding along the Autobahn somewhere between Berlin and Hamburg. “Sinatra’s album is a masterpiece.” Then he brings up the Diana Krall factor: “People have made assumptions based on changes in my life that the appearance of quiet sounds,...

It has been 24 years since Joni Mitchell left Saskatoon and eventually arrived on the coffeehouse circuit in Toronto’s Yorkville district. And although she has returned occasionally from her home in Los Angeles to visit her parents, last week was different. Under the glare of the media spotlight, Mitchell was back in Saskatoon for a triumphant homecoming. And the veteran singer-songwriter chose the Bessborough Hotel—where she often attended high-school dances—to meet the press on the western leg of a publicity tour to promote Chalk Mark in a Rain Storm, her best album in years. Donning a school beanie presented by three students at her old school, Aden Bowman Collegiate Institute, the 4...

Any traditional music from the British Isles, when played well, can breathe history as if aged in wood. A pair of young Irish folksingers stopped briefly in Toronto to give listeners a taste of the bittersweet ballads and jaunty jigs from another era. Paul Brady and Andy Irvine are former members of Planxty, a now defunct Irish band whose versatile music won them fans all over Europe. As a duo, Brady and Irvine provide all the moods and memories of their homeland, captured in songs of classical splendour. Their performance at the University of Toronto’s Faculty of Education Auditorium gave the audience tales as strange as the instruments to which they’re sung: “Wearing the Britches,” an admi...