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Aaron Neville’s voice has the power to open doors. When he was a boy in his native New Orleans, he used to sing his way into basketball games and movie theatres, impressing ticket-takers so much with his sidewalk performances that they would let him in free. Then, in 1967, when Neville was a 26-year-old stevedore, his singing took him from the docks to the top of the charts with the achingly sweet ballad “Tell It like It Is.” Since then, his distinctive tenor has enriched the music that he and his three brothers make as the highly acclaimed New Orleans-flavored band The Neville Brothers, whose popularity expanded during the 1980s with such albums as Fiyo on the Bayou (1981) and Yellow Moon (...

The High Priestess of Freak is looking suspiciously like a Volvo Driving Soccer Mom. Dressed in a denim shirt, track pants and running shoes, with only a white, fun-fur cowboy hat hinting at her outlandish style, Macy Gray arrives at a studio in Burbank, California for a rehearsal with her seven-piece band. She’s late and her group has already run through most her repertoire. But the singer doesn’t seem the least bit concerned. Instead, Gray plonks herself down on a couch, curls her long, lanky frame up at one end of it and hides beneath the wide brim of her hat, nodding occasionally along to the music. She seems bored or at least tired—which would be entirely understandable, given that she’...

On a wintery night at Toronto’s plush Koerner Hall, inside the city’s stately Royal Conservatory of Music, two generations of calypso stars are busy heating up the audience. Onstage in the foreground is the reigning queen, Trinidad & Tobago’s Calypso Rose. Just behind her is the crown prince, Drew Gonsalves, whose Canadian band Kobo Town has opened the show and is now backing the headliner. As the cheeky Rose sings and shimmies through her set to the crowd’s delight, the bearded, bespectacled, guitar-strumming Gonsalves is visibly beaming: he co-wrote and arranged many of the songs Rose is performing, all taken from her award-winning comeback album, Far From Home. And now he and the sept...

For more than 25 years, Leon Redbone has been conjuring up the past with his Roaring Twenties show tunes and turn-of-the-century minstrel ditties. Wearing his trademark fedora and Groucho Marx moustache, he became a fixture on TV’s Saturday Night Live  and The Tonight Show  with Johnny Carson during the 1970s and ‘80s, when he attracted legions of fans and supporters, from Bonnie Raitt and Maria Muldaur to Tom Waits and Dr. John.  Another admirer, Bob Dylan, once told  Rolling Stone  magazine that if he ever formed his own record label, Leon Redbone would be his first signing. Now Dylan has complimented him again: several songs on Dylan’s latest album, the fine, back...

When I first met her, she spoke in a whisper, protecting the gold-plated vocal cords that had made Eurythmics one of the top musical acts on the planet. Annie Lennox was staying in a quiet residential neighborhood near West Hollywood, while she and Eurythmic Dave Stewart rehearsed for the band’s Revenge tour. It was the summer of ’86 and Lennox looked every bit the striking pop icon, one whose theatrical, gender-bending and diva-vamping appearances had transformed the pop landscape. Dressed in a pink satin blouse and a brightly colored plaid suit, a variation on her native Scottish tartan, she spoke at length about music, image and Eurythmics’ battle for artistic control. Fast forward more t...

It’s a muggy day and John Legend is trying his best to stay cool. The gifted American soul singer is in a Toronto Baptist church for a photo shoot and it’s proving to be one serious sweat-fest. Between costume changes and impromptu performances on an electric piano, Legend towels off and stations himself next to an industrial-sized electric fan. He doesn’t mind being a clothes horse, especially when the wardrobe’s supplied by Hugo Boss, but the wool trousers and vest are almost unbearably hot. Still, it’s all in a day’s work for the award-winning artist, who’s busy promoting his upcoming sophomore album. Sitting shirtless, looking handsome and buff, the 27-year-old Legend spoke about his chi...

The auditorium was a sea of cowboy hats in a variety of styles—High Sierra, Ridgetop and Cattleman. The ranchers, cowhands and wives were assembled last month in a convention centre in northern Nevada for a tribute to the 19th-century American western artist Charles Russell. But the first performer to step onstage was not an American--it was Canada’s Ian Tyson. With his white cowboy hat tipped at a rakish angle and a white kerchief tied flamboyantly around his neck, Tyson fit right in. Carrying an acoustic guitar and accompanied by his band, the Chinook Arch Riders, the Albertan told the audience, It’s great to be back in Elko--feels just like home.” And he meant it. It was the fourth year t...

The Beatles changed the world in countless ways, but they also dramatically changed Toronto over three consecutive years of performances (1964 to 1966) at Maple Leaf Gardens. Almost overnight, the city was hit with a cultural shift of seismic proportions: Boys grew Beatle-bangs, girls pinned photos of John, Paul, George and Ringo on their walls and parents worried about the sanity of their teenaged children. Canada’s folk darlings, Ian & Sylvia, had ruled up to that point, but as the male half of that duo, Ian Tyson, remembers, “the minute the Beatles arrived, it was over – well and truly over.” The folk boom slowed, as every kid on the block rushed to form rock bands. Toronto’s music sc...

Behind a dilapidated storefront in central Havana, an ancient ritual is under way. An old black man, sitting in a crumbling shell of a room, instructs four initiates in the art of traditional Yoruba drumming. Beneath the glare of a dangling light bulb, Elpidio Acea barely seems up to the task. Wiry and wizened, he looks like he’d have trouble keeping a heartbeat, let alone a tricky West African rhythm. But striking two cigar-shaped sticks together, he taps out the offbeat pattern that signs the drums to begin. His students, all young women, respond with a sudden flurry of beats. Today’s lesson is the guaguancó, one of the most complex of all Afro-Cuban rhythms. And two of the students can’t ...

Country music has its roots in the southern United States. But just as the blues came up the Mississippi on trains and steamboats, country music traveled north on the airwaves to find a welcome home above the 49th parallel. Country has a long and vibrant history in Canada, from the honky-tonk classics of Hank Snow in the 1950s to the chart-topping country-pop hits of Shania Twain, the biggest-selling female artist of all time, in the ’90s. And Canadian artists continue to make their mark, both in Nashville and their native land, where country music appeals to an ever-growing demographic—from diehards in cowboy boots driving pickup trucks to closet fans wearing business suits on Bay Street.&n...