Gordon Lightfoot Book, Music and More!

For more than 25 years, Leon Redbone has been conjuring up the past with his Roaring Twenties show tunes and turn-of-the-century minstrel ditties. Wearing his trademark fedora and Groucho Marx moustache, he became a fixture on TV’s Saturday Night Live  and The Tonight Show  with Johnny Carson during the 1970s and ‘80s, when he attracted legions of fans and supporters, from Bonnie Raitt and Maria Muldaur to Tom Waits and Dr. John.  Another admirer, Bob Dylan, once told  Rolling Stone  magazine that if he ever formed his own record label, Leon Redbone would be his first signing. Now Dylan has complimented him again: several songs on Dylan’s latest album, the fine, back...

When I first met her, she spoke in a whisper, protecting the gold-plated vocal cords that had made Eurythmics one of the top musical acts on the planet. Annie Lennox was staying in a quiet residential neighborhood near West Hollywood, while she and Eurythmic Dave Stewart rehearsed for the band’s Revenge tour. It was the summer of ’86 and Lennox looked every bit the striking pop icon, one whose theatrical, gender-bending and diva-vamping appearances had transformed the pop landscape. Dressed in a pink satin blouse and a brightly colored plaid suit, a variation on her native Scottish tartan, she spoke at length about music, image and Eurythmics’ battle for artistic control. Fast forward more t...

It’s a muggy day and John Legend is trying his best to stay cool. The gifted American soul singer is in a Toronto Baptist church for a photo shoot and it’s proving to be one serious sweat-fest. Between costume changes and impromptu performances on an electric piano, Legend towels off and stations himself next to an industrial-sized electric fan. He doesn’t mind being a clothes horse, especially when the wardrobe’s supplied by Hugo Boss, but the wool trousers and vest are almost unbearably hot. Still, it’s all in a day’s work for the award-winning artist, who’s busy promoting his upcoming sophomore album. Sitting shirtless, looking handsome and buff, the 27-year-old Legend spoke about his chi...

The auditorium was a sea of cowboy hats in a variety of styles—High Sierra, Ridgetop and Cattleman. The ranchers, cowhands and wives were assembled last month in a convention centre in northern Nevada for a tribute to the 19th-century American western artist Charles Russell. But the first performer to step onstage was not an American--it was Canada’s Ian Tyson. With his white cowboy hat tipped at a rakish angle and a white kerchief tied flamboyantly around his neck, Tyson fit right in. Carrying an acoustic guitar and accompanied by his band, the Chinook Arch Riders, the Albertan told the audience, It’s great to be back in Elko--feels just like home.” And he meant it. It was the fourth year t...

The Beatles changed the world in countless ways, but they also dramatically changed Toronto over three consecutive years of performances (1964 to 1966) at Maple Leaf Gardens. Almost overnight, the city was hit with a cultural shift of seismic proportions: Boys grew Beatle-bangs, girls pinned photos of John, Paul, George and Ringo on their walls and parents worried about the sanity of their teenaged children. Canada’s folk darlings, Ian & Sylvia, had ruled up to that point, but as the male half of that duo, Ian Tyson, remembers, “the minute the Beatles arrived, it was over – well and truly over.” The folk boom slowed, as every kid on the block rushed to form rock bands. Toronto’s music sc...

Behind a dilapidated storefront in central Havana, an ancient ritual is under way. An old black man, sitting in a crumbling shell of a room, instructs four initiates in the art of traditional Yoruba drumming. Beneath the glare of a dangling light bulb, Elpidio Acea barely seems up to the task. Wiry and wizened, he looks like he’d have trouble keeping a heartbeat, let alone a tricky West African rhythm. But striking two cigar-shaped sticks together, he taps out the offbeat pattern that signs the drums to begin. His students, all young women, respond with a sudden flurry of beats. Today’s lesson is the guaguancó, one of the most complex of all Afro-Cuban rhythms. And two of the students can’t ...

Country music has its roots in the southern United States. But just as the blues came up the Mississippi on trains and steamboats, country music traveled north on the airwaves to find a welcome home above the 49th parallel. Country has a long and vibrant history in Canada, from the honky-tonk classics of Hank Snow in the 1950s to the chart-topping country-pop hits of Shania Twain, the biggest-selling female artist of all time, in the ’90s. And Canadian artists continue to make their mark, both in Nashville and their native land, where country music appeals to an ever-growing demographic—from diehards in cowboy boots driving pickup trucks to closet fans wearing business suits on Bay Street.&n...

It’s a chilly March night in Toronto during a brutal winter seemingly without end. But inside the Lula Lounge, the city’s home of Latin, jazz and world music, it’s a tropical heat wave as Mexican roots star QuiQue Escamilla is performing his fiery blend of ranchera, mariachi, huapango, blues rock and reggae. Launching his excellent debut album, 500 Years of Night, Escamilla is joined by an equally diverse set of musical friends. Bluesman Paul Reddick plays harp on “Canción Mixteca,” giving the Mexican folksong a powerful, haunting feel not heard in Ry Cooder’s version on Paris, Texas. Belle Starr’s Stephanie Cadman provides stirring Celtic fiddle and step dancing on “Huapango del Tequila.” A...

Listening to the Souljazz Orchestra is like to taking a rhythm-crazed, horn-drenched trip across the planet, hopping from Latin salsa and Caribbean funk to African beats and jazz from east and west. For a dozen years, the tropically inspired, Ottawa-based band has crisscrossed Europe and North America, introducing its exotic musical mosaic to enthusiastic audiences and critical acclaim. This summer is no different, as the group—hot on the heels of its excellent sixth album, Inner Fire—continues to blaze a trail at festivals on both continents. Souljazz leader Pierre Chrétien says the six-piece ensemble also hopes to reach South America and Africa for the first time this year. That Souljazz h...

On an unseasonably warm Thanksgiving, Gordon Lightfoot is in an uncharacteristically reflective mood, sipping coffee and looking back on a career that has produced every kind of song imaginable: historical epics, romantic ballads, sea shanties, country ditties, folk-style protests and bluesy “toe-tappers,” to use Lightfoot’s quaint term for his uptempo numbers. Many became hits; many more are considered iconic, as quintessentially Canadian as a Group of Seven painting or Alice Munro short story. To say that he’s been prolific is like saying the CN Tower looms over Toronto. Sitting in the kitchen of his sprawling home in North York’s exclusive Bridle Path neighborhood, the 75-year-old legend ...