Gordon Lightfoot Book, Music and More!

Joe Hall possessed one of the most fertile imaginations in Canadian songwriting. His concerts in the 1970s and 80s are the stuff of legend: frenetic displays of eclectic music and absurdist theatre in which he seemed to have narrowly escaped a straitjacket. Although his star dimmed in subsequent decades, the prolific artist never stopped writing songs, recording and performing. When news spread recently that he had died, fans across Canada mourned the loss of a gifted, lovable oddball whose commercial success never matched his unbridled talent. During Mr. Hall’s heyday touring widely with his band the Continental Drift, he often drew comparisons to Frank Zappa for wild performances of songs ...

The world-renowned composer of Broadway’s hit musical Hair began his musical career in the 1950s as the organist-choirmaster at Montreal’s Westmount Baptist Church. At the time, Galt MacDermot also moonlighted in nightclubs around his hometown—“crashing about on the piano, turning church hymns into jazz,” as one of his relatives, the writer Janet Savage Blachford, once recalled. By 1957, the son of a Canadian diplomat and teacher had composed music for My Fur Lady, Canada’s most successful original musical. MacDermot moved around a lot as a child, but music was a constant preoccupation. Encouraged by his piano-playing father, Terence, Galt began experimenting on the record at age five and be...

Jackie Shane broke all the rules. An American-born, black, transgender woman, Ms. Shane first came to Canada in the conservative early 1960s and won over audiences with her glamorous image and soulful singing. For the next decade, she packed clubs in Ontario and Quebec and landed one memorable song, the slinky, sassy “Any Other Way,” near the top of the charts. But then Ms. Shane disappeared and erroneous rumours circulated of a possible murder or suicide. For the next 40 years, the mystery grew until word came that the retired performer was living back in her native Nashville. Ms. Shane’s rediscovery resulted in a massive comeback that the former singer never planned – nor actively particip...

He was the gentle, dreadlocked musician who gave popular Canadian blues-reggae rockers Big Sugar its distinctive bass sound. But Garry Lowe, who passed away July 7, played a far greater role, bridging the reggae and Rastafarian culture of his native Jamaica with diverse audiences wherever he went, both with Big Sugar and as a prominent member of numerous other bands. And whenever a Jamaican star visited Toronto, Lowe was almost always there onstage, laying down his deep groove. “For a while, it seemed that Garry was the only reggae bass player in the world,” recalls Big Sugar frontman Gordie Johnson, commenting on Lowe’s ubiquitous presence was on the Toronto scene. “I’m sure when Garry join...

Skip Prokop was one of Canada’s first major rock stars, a world-class drummer and talented songwriter who co-founded the groundbreaking jazz-rock band Lighthouse, which earned international acclaim in the 1970s. His death on August 30, after a long battle with heart disease, sparked an outpouring of tributes from the music world. Prokop got his start with the Paupers, an innovative Toronto rock quartet that took New York by storm in March 1967 and became the first Canadian band to land a U.S. album deal. He then recorded with Janis Joplin, performed with Cass Elliot and Carlos Santana and became greatly admired for his session work with Peter, Paul & Mary and Al Kooper and Mike...

He’s the man who first brought the Beatles’ music to Canada—almost a full year before America embraced Beatlemania. He then opened the doors for other British Invasion acts and went on to sign the first wave of Canadian pop artists during the 1960s, including Anne Murray and Edward Bear, in his capacity as Capitol Records’ artists & repertoire executive in Canada. When Paul White died on March 13, after a cardiac arrest, the music industry mourned the loss of a jovial gentleman and creative trailblazer. Along with issuing Beatles’ singles, beginning with “Love Me Do” on February 18, 1963 and hitting number one with “She Loves You” by the end of the year, White designed and compiled sever...

Among blues-rock soloists and accompanists, he had few equals. An exceptional pianist, organist and accordion player, Richard Bell left his mark on more than 400 albums, some of which he also produced, arranged and composed and sang on. Renowned for his sense of humor as well as his dazzling keyboard chops, the Toronto-born Bell performed with such legendary figures as Janis Joplin, Paul Butterfield and Bob Dylan and played a supporting role in some key events in rock ’n’ roll history. When he died last week at Toronto’s Sunnybrook Hospital, after a year-long battle with cancer, friends and associates around the world mourned the loss of a beloved and highly respected musician who, according...

Few pianists swung as hard or played as fast and with as many grace notes as Canada’s Oscar Peterson. The classically trained musician could play it all, from Chopin and Liszt to blues, stride, boogie, bebop and beyond. He led his own jazz trios, performed with such legendary figures as Ella Fitzgerald, Count Basie, Dizzy Gillespie and Louis Armstrong, who called him “the man with four hands,” recorded more than 200 albums and wrote such memorable works as “Hymn to Freedom” and the “Canadiana Suite.” “A virtuoso without peer,” concluded his biographer, Gene Lees, in The Will to Swing. When Peterson died this week, music lovers around the world mourned the loss of a lyrical stylist and one of...

Billy Bryans was best known as the drummer and founding member of the Parachute Club, the Juno Award-winning political rock group famous for its anthemic hit “Rise Up.” But his credits and contributions ran much deeper and he may ultimately be remembered as a cultural bridge builder who changed the sound of Canadian music. As a musician, Bryans performed and recorded with bands across the musical spectrum, from rock and blues to punk and African styles. At the height of the new wave era, playing in several groups at once, he was often seen pushing his drum kit on a trolley from club to club along Toronto’s Queen Street. His work as a record producer was equally eclectic, working with everyon...

In 1985, I was invited to a small reception in a Toronto hotel to meet a young woman who was already creating a major industry buzz. Besides being gospel great Cissy Houston’s daughter, Dionne Warwick’s cousin and Aretha Franklin’s goddaughter, Whitney had been signed by Clive Davis, a man with proven ears for talent. The moment Whitney walked into the room, I was struck by her natural beauty and youthful innocence. Just 22, she was fresh-faced and shy, yet already so poised. Sweet and soft-spoken, we chatted together about her new album and upcoming tour. There was an air of barely contained excitement about her, like a debutante at her coming-out ball. Less than a year later, Whitney had b...