Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Music Review: Rolling Thunder Revue - A Bob Dylan Story by Martin Scorcese

There's plenty to love about Martin Scorcese's new Netflix documentary about Bob Dylan's Rolling Thunder Revue tour. There are some illuminating present-day interviews with cast members including the masked ringleader Dylan himself, although he claims to barely remember anything about the tour, as he wasn't "even born yet." The story itself is one of rock's great dramas. Rolling Thunder was an entirely different way of touring. It began with the idea of Dylan, his buddy Bobby Neuwirth and mentor Ramblin’ Jack Elliott playing small venues while traveling around in a station wagon. When that proved impractical, it grew into a larger, illustrious cast of characters that included Joan Baez, Roge...
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Music Review: King Biscuit Boy - Mouth of Steel

Mouth of Steel marks the return of Canada’s legendary bluesman King Biscuit Boy to recording after an unfortunate 10-year absence. Biscuit, also known as Richard Newell, of Hamilton, Ont., apprenticed with Rompin’ Ronnie Hawkins and served with the Canadian blues band Crowbar before striking out on his own. His confident comeback album ably showcases his gutsy voice and mournful harmonica style. The piano boogie of “Route 90” and the Latin-tinged instrumental “Necromonica” display his considerable talents and those of his skilful session players. The album’s real gem is “Done Everything I Can,” on which Biscuit bends harmonica notes as soulfully as he contorts his own gravelly vocals. Mouth ...
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Music Review: Eddy Grant - Going for Broke

With last year’s Caribbean crossover album Killer on the Rampage, Guyana-born Eddy Grant proved he could create a successful solo album by working alone in his Barbados studio. Grant wrote, arranged and produced every song on that album, including the gritty hit single “Electric Avenue,” and played all the instruments as well. But his follow-up album, Going for Broke, suggests that he is now suffering from artistic isolation. The circus-style reggae of “Only Heaven Knows” and the somnolent ballad “Blue Wave” reveal senseless content and inexcusably sloppy technique, while an irritating, indulgent guitar solo mars the vigorously rocking “Romancing the Stone,” which he wrote for the recent fil...
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