Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Ronnie Hawkins - Last of the Good Ol' Boys

He was such a good ol’ boy, a teller of such tall tales and the master of so many self-deprecating one-liners it was often easy not to take Ronnie Hawkins too seriously. “I’m a legend in my spare time,” he liked to quip. Calling himself the “Geritol Gypsy,” he claimed to have been playing rockabilly “since the Dead Sea was only sick.” But when the veteran singer-bandleader – for whom the “big time” was always “just around the corner” – died on Sunday, the entertainment world mourned the loss of a bona fide legend whose greatest legacy was his mentoring of some of Canada’s finest musical stars. Mr. Hawkins was born in Huntsville, Ark., on Jan. 10, 1935 and studied physical education at the st...
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Peter Goddard - a critic for all seasons

Peter Goddard was a consummate music man: a classically trained pianist with a degree in ethnomusicology who became one of Canada’s most prolific and respected music critics. Throughout his long career, Mr. Goddard wrote about music of all kinds for a wide variety of newspapers and magazines. He was the author of some 20 books, including biographies of Frank Sinatra, Ronnie Hawkins and Glenn Gould, and penned documentary scripts for radio and television. But his interests ran far beyond just music. Mr. Goddard was also a baseball fanatic, a wine connoisseur and a voracious reader with a keen intellect, insatiable curiosity and inexhaustible drive, who worked at different times as a film and ...
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R. Dean Taylor - The Canadian who stepped out of the shadows of Motown

He was an unlikely pop star of the post-Woodstock era. Clean-shaven and pipe-smoking, with short, clipped hair and a preference for cardigans and safari jackets, he looked more advertising executive than hip musician. But Canada’s R. Dean Taylor was always determined to make it in the entertainment world. Venturing to Detroit in the early 1960s, he landed himself a job at Motown and became an anomaly – a white songwriter at a black rhythm-and-blues record label. Like many session singers and musicians, it seemed Mr. Taylor was forever destined to be just another background player, standing in the shadows of Motown. That changed when his song “Indiana Wants Me” catapulted him to stardom. Afte...
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