Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Liner Notes: Bruce Cockburn - Sunwheel Dance

brucecockburn sunwheeldanceBruce Cockburn’s third album is an undeniably joyous affair. From the Renaissance-inspired “My Lady and My Lord” to the giddy singalong “For the Birds,” Sunwheel Dance basks in warm, acoustic guitar and bright, hopeful lyrics. Taken together with Cockburn’s previous High Winds White Sky and his self-titled debut, it forms a powerful trilogy that reflects the singer-songwriter’s deep love of nature and his growing spirituality. “It was a period when I was searching but very unaware of my own inner workings,” Cockburn later explained. “There was all this optimism, even though the songs themselves may have been going in different directions. But the imagery of light was there—a lot.”

Indeed, sunlit images infuse almost every song on the album. On the chorus to the opening “My Lady and My Lord,” Cockburn taunts the wind and rain, knowing that “the sun will shine again.” In the tranquil “Fall,” he sings of walking in a meadow “with sunrise inside,” while the closing “For the Birds” and the hymn-like “He Came from the Mountain” use the sun to describe blue jays and God’s face respectively. Then there is the mandolin-driven “When the Sun Falls” and the album’s breezy title track, the first instrumental to showcase Cockburn’s formidable

Continue reading
  2789 Hits

Liner Notes: Bruce Cockburn - Stealing Fire

The words, “you’ve got to kick at the darkness ’til it bleeds daylight,” from Bruce Cockburn’s “Lovers in a Dangerous Time,” have traveled well. In some places, they’ve even slipped into the vernacular. The phrase “kick at the darkness” became the title of a Cockburn tribute album, featuring a hit version of the song by pop-rockers Barenaked Ladies. And superstar Bono quoted the expression in his own song “God Part II” on U2’s Rattle and Hum album. Meanwhile, the popularity of “Lovers” helped to make Stealing Fire Cockburn’s best-selling album. But, in crafting the lyric, the Canadian singer-songwriter wanted only to issue a challenge to complacency. “What I meant,” he later explained, “was ...
Continue reading
  2292 Hits

Liner Notes: Bruce Cockburn - Inner City Front

brucecockburn innercityThe best artists—not flavour-of-the-week pretenders, but ones who view art as life’s work—know that reinvention is a necessary part of the creative process. Think of the chameleon-like transformations of David Bowie, Bob Dylan or even U2; each has redefined themselves at key points in their careers. Cynics might charge opportunism, but there’s real danger involved with such moves, including risking one’s traditional audience. Truth is, artists need to follow their muse—to say nothing of the need to reflect new circumstances in their lives. All of this brings about changes.

    For Canada’s Bruce Cockburn, the months leading up to Inner City Front’s 1981 release had been fraught with change: his marriage of 10 years dissolved, leading him to switch from country to city life. Taking an apartment in downtown Toronto, he assembled a band of crack musicians and adopted a more rugged, urban sound. Gone were most traces of the Gentle Folkie of the late 1960s and even the Mystic Christian of the ’70s. In their place was the New Wave Cockburn of the ’80s, highly politicized and sporting both a leather jacket and an electric guitar. A tour of Italy with bandmates Hugh Marsh, Jon Goldsmith, Kathryn Moses, Dennis Pendrith and Bob DiSalle exposed him to new audiences and provided fresh inspiration. “I’d lost touch with what it felt like to play

Continue reading
  2588 Hits