Gordon Lightfoot Book, Music and More!

The home of music journalist Nicholas Jennings, author of Lightfoot, the definitive new Gordon Lightfoot biography from Penguin Random House.

Liner Notes: Max Webster - The Best of Max Webster

Max Webster, in its heyday during the mid-to-late 1970s, was a sight to behold. The wildly attired foursome led by singer-guitarist Kim Mitchell, a hyperactive beanpole who regularly drew comparisons to crazed animals and aliens, looked more like a futuristic circus act than a rock band. Merry minstrels with a mutant twist.The sound of the band was equally impressive. An anarchic blend of heavy metal and progressive rock, featuring both piercing guitar solos and dreamy keyboard sequences, it was party music for thinking people. Rather than clichés for drunks, the band’s lyrics—written by the group’s offstage conceptualist, Pye Dubois—dealt with themes of tortured anxiety and sensual escape.S...
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Liner Notes: Stompin' Tom Connors - Stompin’ Tom Sings Canadian History

If nationhood is a peoples’ sense of their past, then Stompin’ Tom Connors has contributed greatly to our national identity with his backward-glancing songs. Whether it’s courageous cowpunchers, ghostly shipwreck sites or bold mainland-linking bridges, Stompin’ Tom has sung about this country’s people, places and things with incomparable passion and conviction. Entertaining and instructive, he reminds us of familiar characters and events from our past while rescuing from obscurity some that never showed up on our collective radar screen in the first place. That takes genius. No wonder they gave him an honorary doctorate.Dr. Tom’s historical songs, the best of which are collected here, neatly...
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Liner Notes: Bruce Cockburn - Dancing in the Dragon’s Jaws

Rounding out the 1970s and completing a trilogy of acoustic jazz-folk albums that included In the Falling Dark and Further Adventures Of, Bruce Cockburn’s Dancing in the Dragon’s Jaws stands as both an era-ending album and a cumulative release that neatly built on the strengths of its predecessors. It also serves as a high-water mark for Cockburn in several respects. Featuring some of his finest guitar work ever, the album was voted an “essential” recording by Acoustic Guitar magazine, putting Cockburn in the prestigious company of such revered pickers as Django Reinhardt, Andrés Segovia, Bill Frisell and Mississippi John Hurt. It also provided Cockburn with a commercial breakthrough on the ...
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