Gordon Lightfoot Book, Music and More!

Drew Gonsalves laughs about how he had to leave Trinidad to discover the rich calypso tradition of his birthplace. As a teenager, he was far more interested in rock and heavy metal music than the songs of Roaring Lion or the Mighty Sparrow. The legendary Lord Kitchener even lived up the street from his family home in Diego Martin, a suburb of Port-of-Spain, but he remained unimpressed. “I was very typical of a middle-class Trinidadian boy in that I had a taste for all things foreign,” admits Gonsalves, “which is something that (novelist) V.S. Naipaul wrote so scathingly about in the 1960s. Calypso was always in the air, but I just wasn’t interested.” That all changed when Gonsalves’ mother, ...

She arrived like a chinook in the dead of winter. When k.d. lang first blew out of Alberta in the mid-1980s, her look, personality and voice seemed to be exactly what everyone was hankering for: theatricality, irreverence and authenticity. There was mischief in her subversion of Nashville stereotypes, but there was no mistaking her true love of country music—nor her pure, unvarnished vocal talent. Having conquered country, lang did the same thing with pop music, establishing a 30-year career that has earned the highest accolades and awards. “Her voice is pretty flawless,” notes fellow Albertan Jann Arden. “She can sing anything and it’s always heartfelt, emotive and believable.” Other vocali...

For Adam Messinger and Nasri Atweh, success has come from having the right songs at the right time. Within a month of relocating to Los Angeles from Toronto in 2007, the songwriting-producing duo known as the Messengers had met singer-actor Donnie Wahlberg, then searching for songs for a New Kids on the Block record. Atweh, who once performed as a solo artist, wound up co-writing four songs while he and Messinger co-wrote another. It proved to be the group’s comeback album. A few months later, Atweh and Messinger provided songs to a Michael Bolton album. The Canadians’ contributions were praised for adding a seductive, calm air to what critics called Bolton’s most confident release in years....

Mild-mannered and moderate, Canadians are generally wary about wrapping themselves in the flag. But Stompin' Tom Connors is unabashed about his patriotism. When the country singer hit the stage last week in Owen Sound, Ont. - his first concert in 13 years - the backdrop was a giant Maple Leaf. As the flag unfolded across the back of a high-school auditorium in the Georgian Bay community, 190 km northwest of Toronto, Connors walked onstage, and the packed audience of 700 greeted him with a standing ovation. Gaunt-faced, wiry and dressed from Stetson to boots in black, the 54-year-old musician from Skinner's Pond, P.E.I., looked more like a villain from a western than a defender of Canadian cu...

When Dustin Bentall was 12, he spent the summer with his parents at a cabin they bought in Cariboo Country, in British Columbia’s interior. There his father, veteran Canadian musician Barney Bentall, taught him the guitar to Tom Petty’s “Mary Jane’s Last Dance.” Dustin loved it and played the song constantly. One day his dad took him into the city, stopping at a music store where Dustin got to try out the song on electric guitar, before proceeding on to his North Vancouver recording studio. Recalls Dustin: “We arrived at the studio and my dad’s band was all there. He says to me, ‘Pick up that guitar and show the guys that song you know.’ I was pretty shy and hesitant at first. But I started ...

For Tony Dekker, recording—like real estate—is all about location. The Great Lake Swimmers frontman has made a habit of working in unusual settings, beginning with his Toronto-based group’s 2003 self-titled debut, which was recorded in an abandoned grain silo. Since then, Dekker has opted for churches, legion halls and even an historic castle in the Thousand Islands to commit his atmospheric folk-rock songs to tape. With its fifth album, New Wild Everywhere, the Great Lake Swimmers chose what was, for them, an exotic location: a real recording studio. “It was a new challenge for us,” laughs Dekker. “We’ve been so used to all the work that goes into putting together these location recordings....

Tim Baker has a problem. As frontman for Newfoundland’s Hey Rosetta!, one of Canada’s fastest-rising, hardest-working bands, he is touring for nine months of the year, performing concerts on three continents. Trouble is, Baker is also the group’s chief songwriter and he has yet to master the knack of writing songs on the road. “When I finally get home, it’s difficult for me to set time aside because there’s so much else to do,” admits Baker. “Your house is falling apart, you haven’t seen your friends forever and you have to design the band’s next T-shirt. All this stuff creeps in and the writing gets pushed out.” Despite those obstacles, Baker has been able to write songs for all three of th...

1. The Last Waltz The Band’s elegant swansong is the ultimate rock concert movie. Director Martin Scorcese’s discreet camerawork and superb sound captures inspired performances from Eric Clapton, Joni Mitchell, Van Morrison and others. Scorcese keeps his focus almost exclusively on the stage. Beneath three massive chandeliers, the Band pays tribute to its influences with such friends as Muddy Water (an explosive “Mannish Boy”), Neil Young (a wistful “Helpless”) and Bob Dylan (a stirring group finale on “I Shall Be Released”). But the highlight is “The Weight,” performed with gospel’s Staples family, which ranks among the most exquisite music sequences ever committed to film.     2....

A lot can change in four years—especially in the music world. In 2008, when Kathleen Edwards released her album Asking for Flowers, the Ottawa native was known primarily for story songs about other characters, some drawn from real-life headlines, and an alt-country sound she shaped with her husband, guitarist Colin Cripps. Fast forward to 2012: Edwards has a brave new album, Voyageur, made up almost entirely of first-person narratives and an engaging sound steeped in multi-textured pop that owes a good deal to its U.S. producer, Justin Vernon, also known as ethereal electronic folk star Bon Iver, who just happens to be her new boyfriend. Sitting on a park bench overlooking the Toronto skylin...

Nathan Ferraro doesn’t seem the least bit bitter—which is surprising, given everything he’s been through. In fact, the affable, afro-haired frontman exudes all the serenity of a Buddhist monk, as he sits in a Toronto café and calmly recounts the rise, fall and rise again of his band, the Midway State. Ferraro and his bandmates were teenagers from Collingwood, Ontario, a small ski town two hours north of Toronto, when they became the subject of an intense bidding war from 13 record labels. After being flown around the world and getting wined and dined by industry executives, including legendary figures like Clive Davis and Jimmy Iovine, they eventually signed a deal with Iovine’s Interscope l...