Gordon Lightfoot Book, Music and More!

Cover stories written for Maclean's magazine between 1987 and 2000.

A metamorphosis is under way. A face, seemingly made of candle wax, takes shape beneath a flickering flame. It is Annie Lennox, provocative singer of Eurythmics, the British pop duo. Then, the video for Eurythmics’ latest single, “Missionary Man,” turns more sinister, with a scene in which a dark figure — Dave Stewart, the duo’s other half—is seen cooking potions in a laboratory. The video cuts back to Lennox’s face, now helplessly harnessed to a set of mechanical devices— communicating a strong message of struggle against others’ attempts at control. For Lennox and Stewart, veterans of contractual disputes with record and management companies, that message has special resonance. The pair ha...

Some of the best rock ’n’ roll—from Lou Reed to the Rolling Stones—has strutted through the grim realism of the street. Unlike many pretenders to that turf, Vancouver’s Art Bergmann has actually walked on the wild side, living with prostitutes and drug addicts in the city’s seedy east end while writing some of the grittiest, most literate material in Canadian rock. “Guns and Heroin,” one song from his latest album, What Fresh Hell Is This?, is a case in point. It arose out of an experience Bergmann had in the early 1980s, when he was a member of the Vancouver band Los Popularos. A man who invested $10,000 in one of the group’s recordings turned out to be a drug dealer looking to launder...